A definite must for Thanet and East Kent Jazz Fans!
Peter M Butler
Editor & Proprietor Jazz&Jazz
(YouTube © Peter M Butler, Jazz&Jazz)
Celebrating the Joy of Jazz
A definite must for Thanet and East Kent Jazz Fans!
Peter M Butler
Editor & Proprietor Jazz&Jazz
(YouTube © Peter M Butler, Jazz&Jazz)
“Calling on their experience of performing with Europe’s most influential jazz bands of the last sixty years, the MAGNIFICENT SEVEN combines a wealth of experience with youthful exuberance. Paying homage to the great jazz masters of the early jazz period as well as keeping alive the sounds of the swing era, the MAGNIFICENT SEVEN’s repertoire also celebrates the jazz revival of the 1950’s, tipping their hat to the great bands of Barber, Ball and Bilk. This band takes no prisoners!”
Theirs is a varied repertoire, with compositions and arrangements by Louis Armstrong, Duke Ellington, Benny Goodman, Louis Prima, Errol Garner, Fats Waller, Chucho Valdez, Paquito D’Rivera and many more.
Amy Roberts – clarinet, flute and saxophones
Richard Exall – clarinet and saxophones
Ian Bateman – trombone
Ben Cummings – trumpet
Nick Millward – drums
Bill Coleman – bass
Craig Milverton – piano
Peter M Butler
Editor & Proprietor Jazz&Jazz
(Photos & YouTubes © Peter M Butler, Jazz&Jazz)
Bob Dwyer’s Bix & Pieces Band played “Mamie’s Blues” at Lemsford Jazz Club on Sunday, 2nd October. What better way to introduce this magical and rarely performed number than by including this YouTube featuring Jelly Roll Morton’s 1939 reflections about Mamie.
Peter M Butler
Editor & Proprietor Jazz&Jazz
(YouTubes © Peter M Butler, Jazz&Jazz)
This year for the first time in some years I missed out on Sammy Rimington’s UK Autumn Tour. But Jazz&Jazz photographer Laurence Cumming caught up with Sammy at The Winning Post, Whitton, on 29th September, and sent me a selection of great shots. Thanks go to Laurence and also to Tony and Kay Leppard for permitting Laurence to take the photos. Tony and Kay, how I miss your Thursday lunchtime gigs at The 100 Club!
Sadly, due to extenuating personal circumstances, I missed out on the Hemsby Autumn Jazz Parade this year, first time since 2008! Apologies to Pete Lay who does a great job in promoting this and other UK festivals. But here is one of my YouTubes – Sammy at the 2014 Hemsby Autumn Jazz Parade:
Peter M Butler
Editor & Proprietor Jazz&Jazz
(Photos by Laurence Cumming©Jazz&Jazz)
(YouTube © Peter M Butler, Jazz&Jazz)

Don’t miss the Alan Barnes Quintet on 22 October!
Multi-instrumentalist Alan Barnes is bringing a top-flight quintet to play a fundraiser for the Archive on Saturday 22 October in Loughton. The concert starts at 2.30, tickets are available
here or on the door.
Here are previews of these wonderful musicians.
Alan Barnes is a prolific performer, composer, arranger, bandleader and touring soloist, best known for his work on clarinet, alto and baritone saxes, where he combines a formidable virtuosity with a musical expression and collaborative spirit that have few peers. Here he introduces and plays ‘Lotus Blossom’ on baritone with the David Newton Trio.
Henry Lowther, one of the UK’s leading jazz musicians since the 1970s, plays a wonderful solo on flugelhorn here on the gourgeous ‘Mateja Sleeps’ with the London Jazz Orchestra.
London-based pianist Frank Harrison is best known for his work backing saxophonist Gilad Atzmon, but he has recorded four CDs with his own trio. ‘Live at the Verdict’ was recorded in Brighton in 2014 and videos of the performance are here.
Simon Thorpe plays in and leads several bands, including improPHONICS, the swing band Jivin’ Miss Daisy, and his own octet. His strong, melodic bass style is featured on numerous CDs. Here Simon plays ‘What’s New?’ with the John Donaldson Trio.
Matt Fishwick is one of the first call drummers in London. He worked in New York for several years, but is back in London where he leads his own quartet and co-leads a band with his brother Steve. Here he plays ‘I’ll Remember April’ with Najponk and Jaromír Honzák.
To make it easier to explore our collections and website, we have compiled a Guide to the Archive. The Guide outlines the main holdings at Loughton, explains how to search the online catalogue and the digitised material on the website. Download a copy here.
Montreux Jazz Festival Archive goes online
The greatest moments at the Montreux Jazz Festival year after year since 1967 can now be explored through this interactive video. The Festival has 50 years of performances in its archives, and over 5000 hours of video and 5000 hours of audio recordings have been digitized and made available through a multimedia platform. Navigating between video and audio recordings, photos and articles is simple and intuitive. In addition, several layers of information are provided on the artists and the concerts.
Music lovers can select from among the highlighted artists and news articles, or use the search engine to find what they want. The database also contains line-ups and set lists since 1967. The project to preserve the recordings, made in numerous formats over the years, began in 2007 and will soon be completed by the EPFL Metamedia Center. Read more here.
Project archivist Layla Fedyk writes about our recent Open Day at the Archive here.
Loughton Town Mayor Carol Davies visited us, and several one-to-one interviews were recorded during the day with other visitors. NJA Trustee Vic Hobson once again obliged by jumping in to conduct the interviews: as a musicologist, bass player and Essex resident, Vic has the advantage of being able to pick up on specialist or local aspects in the interviewee’s conversations and draw them out further.
Above: Our chair Paul Kaufman listening to an oral history interview recorded as part of the Intergenerational Jazz Reminiscence project.
Recent donations to the Archive – Mike Shera and David Butler
Mike Shera founded the Hull Jazz Record Society in the 1970s, and wrote and reviewed for Jazz Journal for many years. He died at the end of 2010, and his daughters Fiona and Georgina have sold his jazz record and CD collection through NJA partner Rabbit Records. As a result, a wonderfully generous donation of £1000 has been made to the Archive.
A note on Mike’s life by Fiona and a letter about him by Richard Palmer in Jazz Journal can be read here.
We’re also most grateful for the donation of £400 from Rabbit Records from the sale of records and CDs donated by David Butler.
To find out more about how to sell your vinyl and support the Archive, click here.
Gems from the Archive – Benny Goodman at Carnegie Hall
Often described as the most significant concert in jazz history, the 16 January 1938, concert by Benny Goodman and his Swing Orchestra at Carnegie Hall, New York, was not only a coup for jazz but one of the first racially integrated public performances.
The original three-page programme is held in the Archive as are images of the participants taken in the UK.
In addition to the Goodman band, probably the most popular big band of the day, the concert included some of the brightest jazz luminaries of the time, including Count Basie, Buck Clayton, Johnny Hodges, Walter Page, Lester Young, Harry Carney and Freddie Green. They were special features from Harry James, Teddy Wilson, Lionel Hampton and, of course, Gene Krupa with the show stopper, Sing, Sing, Sing.
Originally issued in a two-LP gatefold album in 1950, the nearly forgotten recording of this historic event quickly became Columbia’s best-selling jazz release, a distinction it held for decades. The whole album may be listened to here.
The album formed the basis of scores of vinyl collections in the 1950s and allowed UK fans to listen to their US heroes on their BSR or Garrard auto-changers. It was issued ‘auto-coupled’, allowing sides 1 and 2 to be played consecutively then both discs turned over to play sides 3 and 4.
Catherine Tackley has published an in-depth study of this seminal concert and recording. She examines its cultural setting, analyses the compositions, arrangements and performances, and discusses the impact of the event and album.
Jon Hancock’s remarkably detailed book and website provides the most fully researched account of the concert, and the various reissues of the music.
Miles Davis and John Coltrane at 90
A three-day conference – Miles Davis and John Coltrane at 90: Retrospect and Prospect – focusing on the music and legacy of Miles Davis and John Coltrane, both of whom would have celebrated their 90th birthdays this year, is being held at the University of Surrey on 21–23 October. Thirty expert speakers and performers from across the world, including broadcaster Alyn Shipton, will discuss, assess and play the music of these two artists. The conference will feature performances from Ronnie Scott’s All Stars, the Gary Crosby Quartet, and Steve Waterman. Booking closes on 7 October – details are here.
The National Jazz Archive was founded by trumpeter Digby Fairweather in 1988 and is supported by Essex County Council and the Heritage Lottery Fund.
Copyright © 2016 National Jazz Archive, All rights reserved.
Our mailing address is:
National Jazz Archive
Loughton Library
Traps Hill
Loughton, IG10 1HD
Contact Tad Newton for further details:
email – [email protected]
tel – 01604 858549
Web: www.tadnewtonsjazzfriends.com

“We had such a great time at Fest Jazz; I’ve not laughed so much for a long time. The guys in the band got on great and we met so many other young musicians and volunteers at the festival and will carry on telling the tale for many a year!
“The bands that performed at the festival were different, full of youth and really vibrant, and all high quality. Also second to none, is the festival’s sound system and stage lighting in the main venues. Again, the approach is a modern one, with impressive light shows on the stage that I have never seen in a UK jazz festival.
“Above all, it was wonderful to see so many young people around the festival. They help to organise as well as to run it. … We love the spirit of Fest Jazz and have already started to promote this festival to our friends.”
Dorine de Wit
A musician’s perspective
Just Jazz, October, 2016
Thank you Just Jazz for featuring Fest Jazz so very positively. As editor of Jazz&Jazz and a firm supporter of the festival I considered your feature simply had to be reproduced here.
Then, below the feature, I give a link to the Jazz&Jazz report on the Festival which includes links to YouTubes which Ginny and I took sheer delight in filming for Trevor Stent and his fabulous Festival Team.
Festival Forensics: Does Fest Jazz Have The Answers?
My full Jazz&Jazz Analysis of Fest Jazz 2016 along with YouTubes of the bands.
Peter M Butler
Editor & Proprietor Jazz&Jazz
(Photos & YouTubes © Peter M Butler, Jazz&Jazz)
Want to spice up an early Xmas shopping trip to the Capital with a midday jazz gig? Then don’t miss out on this rare visit to London by Tad Newton’s Jazzfriends.
The Jazzfriends’ repertoire is eclectic, swinging, varied and wide ranging – Basin St to Basie and Beyond. Most of the musicians have been together for 15-20 years, including Trevor Whiting (sax/clarinet), Gary Wood (trumpet) and Tomas Pederson (bass).
So be sure to take a couple of hours out at The Spice of Life for a phenomenal lunch time
jazz session.
“I’ve been lucky enough to have worked with Tad Newton and his splendid band “The Jazz Friends” on quite a few occasions over the past 10 years. Tad is unique. If every town had a Tad, we musicians would all be rich!” Richard Exall
Contact Tad Newton for further details:
email – [email protected]
tel – 01604 858549
Web: www.tadnewtonsjazzfriends.com
I just had to feature this article reproduced for the Web from this September’s issue of
Just Jazz Magazine.
These links add to the story:
Betty, her life, her loves and her Jazz
1950’s/60’s Jazz on The North Kent Coast
Coincidentally, I lived in neighbouring Herne Bay in the 1950s and 60s and have joined the Whitstable and Herne Bay Facebook Groups. Recently I asked members of the Herne Bay Group whether they remembered jazz in The Kings Hall on The Downs, Herne Bay. Here are a couple of the replies:
“I remember Jonny Dankworth Cleo Lane, George Melly, Chris Barber, Humphrey Lyttelton, also Mick Mulligan who was with George Melly. They were good days all at the Kings Hall.” (June Friend nee Finch)
“Kenny Ball was at the Kings Hall in the early 60’s.” (Carol Anne Lewis)
Oh to recapture youth – those were great days for jazz! Yet nil desperandum there is a new generation of jazz bands emerging even now. Search the features on this site to find
a good many of them!
Peter M Butler
Editor & Proprietor Jazz&Jazz
(Photos & YouTubes © Peter M Butler, Jazz&Jazz)

Hello Jazz Lovers,
Welcome to our October Newsletter. We’ve some great gigs coming up!
Tuesday 4th October 8.00pm
Over from Denmark, we are thrilled to welcome back the Doc Houlind Revival All-Stars who are on tour at selected UK clubs. The All-Stars are considered to be one of the best New Orleans bands in Europe! They went down so well last year and are bound to sell out quickly. As Doc Houlind says on this Jazz&Jazz YouTube, Olney fans are “a very good audience”.
Tickets available from Carlton House Club, High Street, Olney, Tel: 01234 711348
or from Phonebox Magazine, Stanley Court, Olney.
£12 or £10 in advance.
Book a table to dine from the special Jazz Menu – two main courses for £12!
Check out: www.dochoulind.dk
*** *** ***
Tuesday 1st November 8.00pm
A great, swinging, foot-tapping night is guaranteed for our November gig featuring
Tad Newton’s Jazz Friends.
Featuring Trevor Whiting (sax/clarinet), Gary Wood (trumpet), Tad Newton (trombone),
Alan Haughton (piano), Tomas Pedersen (bass) and Ronnie Fenn (drums).
Tickets available from Carlton House Club, High Street, Olney, Tel: 01234 711348
or from Phonebox Magazine, Stanley Court, Olney.
£12 or £10 in advance.
Book a table to dine from the special Jazz Menu – two main courses for £12!
Check out www.tadnewtonsjazzfriends.com
*** *** ***
Tuesday 6th December 8.00pm
Suzanne Mellard and The New Standards Trio
Suzanne Mellard must be the best kept secret on the British jazz scene at the present time.
Completely self taught she has a unique voice among her contemporaries, developed from many influences starting with Sarah Vaughan and Betty Carter through to Mark Murphy, Eddie Jefferson and Kurt Elling. She has performed with many well respected names in the genre including, Dave O’Higgins, Bill Watrous, Dave Newton, Brian Dee and Darius Brubeck.
One notable highlight of her career was to be invited to perform with Dame Cleo Laine’s band featuring Alan Ganley, John Horler, Mark Nightingale, Malcolm Creese and the legendary Sir John Dankworth at The Stables, Wavendon.
Suzanne’s Dynamic voice encompasses many varied styles and shows her wide range of influences, from Soul and Blues through to Contemporary Jazz and Fusion.
“The ideal jazz voice…intimate and rich in the low range, with great control in all registers”
Darius Brubeck
“One of the most talented but too rarely heard Jazz Vocalists in the UK” Jazz UK Magazine
Suzanne’s Web Site : www.suzevox.co.uk
Tickets available from Carlton House Club, High Street, Olney, Tel: 01234 711348
or from Phonebox Magazine, Stanley Court, Olney.
£12 or £10 in advance.
Book a table to dine from the special Jazz Menu – two main courses for £12!
Check it all out at www.olneyjazzclub.com
Hope to see you soon at OJC,
Cheers,
Olney Jazz Club
Popular belief is that Jazz has had its day. Not so! There are plenty of great bands on the jazz circuits - playing at Concerts, Clubs, Festivals. People say the musicians and fans are past their sell by dates and don’t attract younger audiences. Again, not so! There is a Jazz Revival! Numerous younger bands with growing numbers of enthusiastic young fans are making their mark.
“Jazz & Jazz” is an invaluable platform for news about young bands and musicians. It’s a great way for organisers like me to know what is going on! The enthusiasm of Peter Butler is inspirational and infectious and has certainly done much to boost the reputation of Fest Jazz beyond the boundaries of Brittany. Long may the site continue and flourish!”
Trevor Stent, Good Time Jazz
“Dear Peter, You have embarked on a lonely road. There have been few people painting New Orleans musicians over the years. There was one guy named Frank Caunce … in the 1965 - 72 period who was very good but not as organised as you. So keep doing what you are doing.”
Barry Martyn, New Orleans
“Very pleased to be associated with Jazz & Jazz. It promises to be be an influential contribution not just to the UK but to any one anywhere capable of accessing it. My Old Green River Band is delighted to have the opportunity to register its gigs and geographical whereabouts and to see the results this must have for all those associated.”
Martin Bennett, The Old Green River Band
“Fantastic Peter, you've got a talent for capturing people! Perhaps I need to have a shave!!!
Emile Martyn, The Fallen Heroes.
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