Yoshio and Keiko Toyama & The Wonderful World Jazz Foundation – A Massive Contribution to Jazz

 

Yoshio-and-Keiko1

I first met Yoshio Toyama and his wife Keiko in October, 2013, when they joined Sammy Rimington during his annual UK Tour. Since then we have kept in touch and I have featured them both, their events and activities regularly on Jazz&Jazz.

Bonds of Friendship! Sammy Rimington with Yoshio Toyama

Bonds of Friendship! Sammy Rimington with Yoshio

Now, with Yoshio’s permission, it’s time to tell the full story about their involvement in jazz, both in Japan and New Orleans; their love of Louis Armstrong’s music; how they set up their Wonderful World Jazz Foundation (WJF) and established such solid bonds between the USA and Japan.

The Crescent City Era
Yoshio and Keiko spent five years – from 1968 to 1973 – in The Crescent City studying New Orleans Jazz from “old timers” – back then many of them even older than Louis Armstrong! They were enthralled by New Orleans jazz traditions – and by Satchmo’s neighbours!

Today Yoshio is one of the closest in style to Satchmo – on trumpet and vocals – and in Japan he is known as the “Japanese Satchmo”.

????

preservation-hall-FTheir New Orleans apartment was right around the corner from Preservation Hall and they were able to hear the music of Kid Thomas, Percy Humphrey, Punch Miller, George Lewis and many others wafting through the window! So it wasn’t long before they themselves sat in with some of these Preservation Hall bands.

In 1971, Barry Martyn’s band came to New Orleans and he invited Yoshio and Keiko to tour Europe with him. In fact Yoshio joined Barry’s band on a tour of Europe and the USA for an entire year with guest players such as Alton Purnell and Louis Nelson.

French Quarter Festival 2010.

Barry Martyn at the 2010 French Quarter Festival.

Then, when they returned to Japan in 1973, Yoshio followed Barry’s example of bringing famous jazz musicians from the USA to the UK, by bringing US musicians to Japan – Don Ewell in 1975 and 1980, Alton Purnel in 1976, Wild Bill Davison in 1981, and Ralph Sutton in 1987 and 1990. Twice they took Barry along with Freddie Lonzo from New Orleans to Japan.

Recordings made with all of these stars are still available on Jazzology’s  G.H.B Labels.

To this day, Yoshio and Keiko are grateful to Barry Martyn: “We owe Barry a lot”.

“The Wonderful World Jazz Foundation”
In 1994 Yoshio and Keiko launched a Louis Armstrong fan club in JapanWWJF-Logo“The Wonderful World Jazz Foundation” (WJF). Straight off some 200 jazz fans in Japan – especially Louis Armstrong fans – became members and their dream became a reality.

Since then the Toyama’s dream of keeping the name of Louis Armstrong and his music alive not only in Japan but around the world has been vindicated. In the 21 years from 1994 to 2016 The Wonderful World Jazz Foundation has featured 58 concerts, 88 newsletters with Satchmo related articles, live music – and rare 1929-1960 jazz films.

Horns For Guns
When they started the Foundation, Yoshio and Keiko wanted to make it more than just a Louis Fan Club for listening to old recordings. They wanted to include a number of meaningful and symbolic activities.

Their ambition was to seek other ways of demonstrating their love for New Orleans as well as featuring Satchmo’s music. It was then that they decided to help the young children of New Orleans, so many of whom were surrounded by the dangers of guns and drugs.

Young-Louis-Plus

Yoshio remembered how “Little Louis” got arrested and sent to reform school for shooting a pistol. It was there that Louis first discovered the trumpet – the very beginning of his glorious life as world’s greatest king of Jazz.

Two “Toyama Concepts” emerged:

“Let’s send horns to the children of New Orleans, so that people remember Satchmo’s life …”

“Let’s give them ‘Horns for Guns’… just like Satchmo and his first trumpet”

So The Wonderful World Jazz Foundation started gifting horns to New Orleans children… “surplus” but quality instruments donated by musicians and jazz fans.

NO and Japan Join Forces with UNESCO and “Horns for Guns” to Demonstrate the Positive Power of Jazz

The tragic death of a Japanese student named Hattori reinforced the aims of Horns for Guns activities. Hattori was shot to death in Baton Rouge because he visited the wrong house on Halloween. There were and still are many problems with guns in the USA. Yoshio and Keiko are ever saddened to see kids in New Orleans – “sons and grandsons” of Satchmo – surrounded by guns and drugs.

Danny-BarkerYoshio remembers Danny Barker setting up the Fair View Baptist Church Band back in 1970 when he and Keiko were determined to help steer kids clear of guns and drugs. “We were great fans of those young musicians – such talented kids.”

Satchmo’s brief encounter with a gun and how he learned to “play horn” in a New Orleans Waif’s Home remains ever fresh in Yoshio’s mind – the inspiration for Yoshio and Keiko’s “Horns for Guns Foundation”!

Donations and Free Shipping
A leading Japanese newspaper covered the “Horns for Guns” campaign which resulted in horns – and many other musical instruments – being donated to the cause. A Wonderful World Jazz Foundation member introduced Yoshio and Keiko to Japan’s Nippon Express cargo company. The outcome – over the next 21 years more than 830 “horns” were shipped, free of charge, to New Orleans. In addition over $100,000 was donated to New Orleans schools and musicians when the city was hit by Katrina.

Among the musicians and organisations to whom instruments have been donated are: “Trombone Shorty”, John Brunious, Clyde Kerr, Walter Payton, Shannon Powell, Doreen Ketchens, Greg Stafford, Jonathan Bloom, Joseph Torregano, Herbert Wing, Alonzo Bowens, Rickie Moony, The New Orleans Musicians Union, Preservation Hall,  Tipitina’s Foundation, Sweet Home New Orleans, the Arabi Wrecking Krew ……

Tipitina

Also many schools received goodwill gifts of instruments from Japan: Mr.Wilbert Rawlins and GW Carver High School, Mr. Wilbert Rawlins and O Perry Walker High School, Mr. Dowyne Nathan and McDonogh 35 Senior High School, Mr. Joseph Torregano and East St. John High School, Martin Luther King Charter School, Livingston Middle School, Mr. Greg Stafford and Crocker Elementary School, New Orleans Public School Jazz Outreach Program (Mr.Jonathan Bloom), Mr. Kevin Smith and Fearless Tigers Cultural Art Centre, Treme Community Centre (Mr. Jerome Smith) and others including Music Accademies and Associations, NOCCA, Lincoln Centre’s Higher Ground Hurricane Relief Fund, New Orleans Musicians’ Hurricane Relief Fund and Jazz Foundation of America.

The New Orleans Satchmo Festival
In 1981, ten years after Louis’ passing, Yoshio and Keiko launched the long-running annual New Orleans Satchmo Festival in Tokyo, featuring bands playing New Orleans music and involving Big Easy and visiting bands and musicians. Jazz&Jazz has featured the Festival.

In 2014 they celebrated the 34th Satchmo Festival!

When they launched their Louis Fan Club and The Wonderful World Jazz Foundation they had no idea that its concerts, film shows, monthly newsletters and quarterly periodicals about Louis would become so popular and long lasting.

To this day, Yoshio is grateful to Barry Martyn and Dave Bennett for introducing him to “a guy called Preacher”, who collected Jazz Films. “We were so impressed with these movies of the unbelievable Louis, the young Duke Ellington, Bessie Smith … the first time we had ever seen such films!”

They were invaluable in helping build the Foundation by showing them at meetings. There were no such things as YouTubes in those days and people were amazed to see the jazz giants on the big screen.

“Sir”Charles Thompson & Jimmie SmithSir-Charles-Thomas
Another stroke of luck, as Yoshio puts it, was their meeting with legendary pianist “Sir” Charles Thompson, with whom they became great friends. “We featured him many times in our meetings”.

Then there was the great drummer, Jimmie Smith, who played with Ella Fitzgerald, Eroll Garner, Lambart Hendricks and Count Basie. He signed up as Yoshio’s drummer, playing with the band for ten of their 23 years at Tokyo’s Disneyland. Yoshio tells how Jimmie “put so much into our meetings … sometimes playing Hot 5 and Hot 7 numbers as well as singing “Cake Walking Babies” and duetting with me in harmony from Bechet and Louis records”.

Hurricane Katrina and the 2011 Japan Tsunami
In 2005, just when Yoshio and Keiko thought their Foundation had achieved all that it could, Hurricane Katrina hit New Orleans! Instantaneously they organised a benefit concert for the Crescent City which led to donations for New Orleans from jazz fans all over Japan. The Foundation ended up donating over $100,000 plus multiple more musical instruments for New Orleans musicians!

Then, when Japan was hit so hard by the 2011 Earthquake and Tsunami, the people of New Orleans stood up to the mark. Tipitina’s founder, Roland Von Kurnatowski, contacted us to say they wanted to help Japan by raising funds to replace musical instruments lost in the disaster. So just as Japan had come to the rescue of New Orleans after Katrina, so New Orleans helped raise funds to replace musical instruments lost in the Japanese tsunami, especially for Japanese kids and young musicians. As a result, lighting the darkness, a Japanese youth band was reestablished just a month after the Tsunami.

Now, with Japanese children making their comeback with the help of instruments from New Orleans, came Yoshio and Keiko’s latest dream! Some day they wanted the kids who sent the instruments to meet those who received them. They had no idea how to make it come true. When they sent horns to kids in New Orleans, in such poor neighbourhoods, there was no hope whatsoever that they could visit Japan. Some couldn’t  even afford to visit Dallas.

Wilbert Rawlings

Wilbert Rawlings

But Wilbert Rawlins, the wonderful band instructor at New Orleans High School, had kept urging the kids to practice – “There’s a ceiling here above you here, but there’s sky over it which spreads around the world, and if you keep trying and work hard, there will be a chance someday, for you to visit Japan ……”

Like a miracle, this dream came true in 2012, a year after the tragic Japanese earthquake. With help from Tipitina’s Foundation and the Japan Foundation, the Wonderful World Jazz Foundation made it real for 16 New Orleans kids from O Perry Walker High School and Tipitina’s intern band to visit Japanese kids in the Tsunami struck area.

Then in 2013, the Wonderful World Jazz Foundation, with help from Tipitina’s Foundation, the American Embassy, Japan’s Tomodachi Initiative and the Japan Foundation organised a return visit to New Orleans for young Japanese jazz stars to play at the Satchmo SummerFest!

But What of the Future?
The Wonderful World Jazz Foundation has been successful for over 21 years and still has 250 members paying club dues each year.

Yoshio-Keiko

But as members age, so the Foundation has to downsize. Yoshio and Keiko are now in their 70s and may not be able to keep up their work – let alone their travel – for the Foundation for too much longer. But they are both glad they have been able “to pay back just a little to the city which has given us so much over so many years”!

Jazz owes Yoshio and Keiko a huge debt of gratitude, I wonder if there is anyone out there in the jazz world today up to taking over their amazing mantle?

Peter M Butler
Editor & Proprietor Jazz&Jazz

Links to earlier Jazz&Jazz Yoshio & Keiko Features:

http://goo.gl/4hIZWV

http://goo.gl/YG6iip

http://goo.gl/2iyn1L

http://goo.gl/398yOI

http://goo.gl/K8CEG0

http://goo.gl/yhRfhJ

Tuba Fats, Tuba Skinny and now TUBA SWINGY!

 

Alan Bates (vocals,rhythm guitar), Neil Kane (snare), Hannah Bales (vocals, saddle drum) Tim Moore (tuba), Steve Cant (trumpet), Pauline Gifford (saxophone), Barry Langston (trombone)

Alan Bates (vocals, rhythm guitar), Neil Kane (snare), Hannah Bales (vocals, saddle drum), Tim Moore (tuba), Steve Cant (trumpet), Pauline Goffin (saxophone), Barry Langston (trombone)

“Myself, our snare drum man and our singer and bass drum lady took ourselfs off to NOLA last April for the French Quarter Festival. Tuba Skinny and Smokin’ Hot Jazz knew us already. One of our friends had taken our CD to Shaye Cohn the year before. ‘So’, said Erica. ‘You’re the guy’ and Shaye smiled at me and said ‘the music is everybodies, lets keep on sharing’… I still haven’t recovered!”

With these words, Alan Bates introduced himself to me and to Jazz&Jazz. And with credentials such as these I simply couldn’t resist featuring the UK’s very own “Tuba Clone” for Jazz&Jazz followers!

So Jazz Fans everywhere, let me introduce the UK’s  “Tuba Swingy”! And what better way than one of their Tuba Skinny style YouTubes.

Hannah and Erica on the haloed streets of NO

Hannah and Erica on the hallowed streets of NO

Allan and Robin Rapuzzi - jazz buddies!

Robin Rapuzzi and Neil Kane – jazz buddies!

 

 

 

 

 

 

 

Alan with Shay. OK, Alan, are Tuba Swingy street wise.

Alan with Shaye. OK, Alan, are Tuba Swingy street wise?

Tuba Swingy UK Street Style:

For more of their YouTubes just search for Tuba Swingy on YouTube

More about Tuba Swingy and their New Orleans Adventures

Members of a Suffolk-based band have made a pilgrimage to New Orleans to meet musicians who inspired their style of jazz – and their band’s name.

The popular Tuba Swingy band from Lowestoft was formed nearly three years ago after leader Alan Bates saw YouTube videos of American counterparts Tuba Skinny. And just like the busking Louisiana band has found fame in New Orleans and around the world, Tuba Swingy is attracting a growing legion of fans by playing similar jazz and blues tunes in town centres around coastal Suffolk. The busking has led to appearance at Aldeburgh festival, Southwold arts festival, Somerleyton Hall and in pubs, at weddings and even at a funeral in Lowestoft.

Leader Alan said: “We became hooked on the music of Tuba Skinny and three of us decided we had to make the 8,000 miles round-trip to see them playing live.

“Our worlds collided in Royal Street, New Orleans, one of the best places to see busking bands and it was brilliant!

“It was a glorious hot and sunny Friday morning when we first saw Shaye Cohn, the cornet, piano and violin-playing leader of Tuba Skinny, sitting on the pavement playing violin while waiting for the rest of the band to arrive for a regular busking session. When I introduced myself she gave me a big smile and said she was pleased to meet me. She had seen Tuba Swingy videos on YouTube in the same way we had seen Tuba Skinny’s. We had a great chat and she had some very kind words to say about us playing the same sort of jazz and blues numbers, remarking that the music was for all to share.”

Neil Kane, Tuba Swingy’s percussionist, had a long chat with Tuba Skinny’s washboard player Robin Rapuzzi who told him: “You guys have done us all good. Here in New Orleans and over there in England, we share the same vibe.” Neil was so impressed with hearing the Tuba Skinny sound live for the first time we went off to a music shop and bought himself a washboard!

Hannah Bales, Tuba Swingy’s vocalist and bass drummer, also agreed that listening live to Tuba Swingy was ‘amazing’. She quietly sang along with some of the numbers as she, her husband Kris, Alan and Neil sat on the kerbside for nearly three hours watching Tuba Skinny go through their paces.

“We were so excited before setting out for the States but Tuba Skinny and New Orleans have been much, much more than we ever dreamed of. They are an awesome band. New Orleans is a brilliant city.”

Hannah received a hug from her counterpart, Erika Lewis, as they chatted about vocal numbers that both bands play. Hannah also told Erika that seeing Tuba Skinny playing live had been a great inspiration and given her ideas for numbers that Tuba Swingy could add to their repertoire.

After chatting with other members of Tuba Skinny, Alan finally introduced himself to Erika, who runs the band’s internet and social media links and became aware of Tuba Swingy a few years ago.

Alan said: “She looked me up and down and lifted her hat, gave me a big grin and said “So you’re the guy!” It was a magic moment and something I will always remember. We all got on really well and we plan to keep in touch by email and social media.”

The members of Tuba Swingy watched two other gigs by their heroes during their six-day stay in New Orleans and also saw many other bands, including two other favourites, Shotgun Jazz Band and Smoking Time Jazz Club, who were keen to chat with the East Anglian musicians.

The Final Word
Thank you Tuba Swingy and Tuba Skinny for making this great Jazz&Jazz post possible. Quite frankly it wouldn’t be right to conclude without a Jazz&Jazz YouTube of Tuba Skinny. Here they are playing in the town square at Chateauneuf-du-Faou during FestJazz, 2014. Even the church bells waited for them to finish their number! I counted it a privilege to film them.

Peter M Butler
Editor & Proprietor Jazz&Jazz

(Photos & YouTubes courtesy of Tuba Swingy and also © Peter M Butler, Jazz&Jazz)

Dom & The Ikos Bring New Orleans Mardi Gras To London

 

Photo1

Photo2

100 Club

★★★ 9th February.  Doors 7 30.  Show 8 30 ★★★

★★★  BOOK HERE★★★

100 Club, 100 Oxford St, London W1D 1LL   020 7636 0933

The Loft

★★★ 5th February.  Doors 8 30.  Show 9.00 ★★★

★★★  BOOK HERE★★★

The Loft, Toulouse Lautrec, 140 Newington Butts, SE11 4RN

Photo3

dompipkin.co.uk

Coming to Olney Jazz Club in February, March & April …

OlneyLogoF

February Newsletter

Hello again everybody, welcome to the latest OJC newsletter. We’ve some great gigs coming up…….
Book tickets on 01234 711348

8.00 pm Tuesday 2nd February

Julian Mark Stringle

Julian Mark Stringle

Julian Mark Stringle

Julian Marc Stringle  – top clarinet/sax artist Alan Haughton (piano),
Tomas Pedersen (Bass) and Ronnie Fenn (drums)

£10/£8 in advance…only a few tickets left!

*** *** ***

8.00pm Tuesday 1st March

Jazz at the Movies
Joanna-Eden

W
ith the Jazz at the Movies band featuring Joanna Eden (vocals),
Mark Crooks (reeds), Chris Ingham (piano), Rev. Andrew Brown (bass)
and George Double (drums)

Top show, played Ronnie’s at Christmas!

£12/£10 in advance
*** *** ***
8.00pm Tuesday 5th April

New Orleans Z’hulus
 

L to R: Emile Van Pelt, John Defferary, Brian Turnock, Dan Vercruysse, Emile Martyn, Philippe de Smet

L to R: Emile Van Pelt, John Defferary, Brian Turnock, Dan Vercruysse, Emile Martyn, Philippe de Smet

Great New Orleans outfit hailing from across The Channel!

£10/£8 in advance

*** *** ***
All tickets are great value and you can get them from Phonebox Magazine, Stanley Court, Olney or the Carlton House Club, High St, Olney, 01234 711348. Don’t forget to book separately if you would like to eat.
Check it all out at www.olneyjazzclub.com
 
Hoping to see you at the next OJC gig,
Cheers,
Alan

Award-Winning Liane Carroll in Concert at The National Jazz Archive Saturday 12th March

 

Liane-CarrollF

Award-winning Liane Carroll comes to Loughton on 12 March

The British Jazz Award-winning pianist and vocalist Liane Carroll plays an afternoon concert in Loughton, Essex on Saturday 12 March, with Roger Carey on bass and Pete Cater on drums.

This concert is one of a series during 2016 to raise funds to support the work of the Loughton-based National Jazz Archive.

Liane’s latest CD release ‘Seaside’ has recently been recognised as the best British album in the 2015 British Jazz Awards and Liane will be featuring tracks from the album during the afternoon.

Liane, a Patron of the Archive, said: “The National Jazz Archive does great work in preserving the history of our music. It’s a pleasure to perform on their behalf to help raise funds to support this work.”

Pete Cater, who is a trustee of the National Jazz Archive, has recently been voted one of the top eight jazz drummers in the world by Rhythm magazine.

The venue for the concert is Loughton Methodist Church, 260 High Road, Loughton, Essex IG10 1RB, close to the Archive’s home in Loughton Library, where there is extensive parking, 1 km from Loughton Station on the Central Line, and served by numerous bus routes.

The concert starts at 2.30pm and tickets cost £15.

For details and to book tickets, visit: www.nationaljazzarchive.org.uk/events
email:
[email protected]
Tel: 020 8502 4701.

For media enquiries contact: Nick Clarke 020 8502 4701
[email protected]

Mike Rose  07870730745
[email protected]

The National Jazz Archive
Loughton Library
Traps Hill
Loughton
Essex IG10 1HD

 

National Jazz Archive opens new department in Southend on 6 February

 

NJA-Offices2

The National Jazz Archive is opening a new facility at the Beecroft Gallery in Southend’s emerging cultural quarter on Saturday 6 February.

Southend-on-Sea Borough Council and the National Jazz Archive – which boasts the UK’s finest collection of written, printed and visual material on jazz, blues and related music – have signed a 10-year service level agreement which will see a new department of the Archive operate on the lower floor of the Beecroft Gallery in Southend, Essex.

The public opening will be from 10am to 5pm on Saturday 6 February 2016, with a celebration to launch the facility. There will be conducted tours of the research collections and museum exhibits, including the trumpets of Louis Armstrong, Nat Gonella and Humphrey Lyttelton, extensive papers from Humphrey Lyttelton, and Sir John Dankworth’s first piano. There will be music playing all day –

Simon Spillett

Simon Spillett

with a live session headed by tenor saxophonist Simon Spillett at 3pm. Simon will also host showings of the new DVD about the great saxophonist Tubby Hayes ‘A Man in a Hurry’ at 1pm and 2pm (times to be confirmed).

The National Jazz Archive (Southend) will then be open to the public from 10am to 5pm on Saturdays. Planned features in the future include:

• A research collection of books and periodicals

• Supporting collections of recorded jazz and interviews with jazz musicians

• Facilities for internet research and liaison with the Archive’s headquarters at Loughton, Essex

• Travelling and in-house exhibitions of jazz, art and artefacts

• Displays of instruments and jazz memorabilia.

The Archive hopes to recruit more volunteers to supplement its existing team and to secure funding so that it can further expand its activities.

 Local volunteers Bob Michalski and Richard Campbell-Carr trumpeter and-founder of the National Jazz Archive Digby Fairweather and Chair of the Archive Paul-Kaufman

Local volunteers Bob Michalski and Richard Campbell-Carr, with founder of the National Jazz Archive, Digby Fairweather, and Chair of the Archive Paul-Kaufman

Cllr Mrs Mary Betson, Executive Councillor for Enterprise, Tourism & Economic Development, said:
“Our aspiration as an authority is to cement our position as the leading hub for culture in the East of England, so attracting the National Jazz Archive is another great coup for the Borough.

“Culture is not only critical for our continued ability to draw tourists to our town and shores but also makes an enormous contribution to the wellbeing of our residents. That’s why the Council was keen to support the National Jazz Archive in their hunt for more space for expansion and why I’m delighted to be able to welcome the Archive to a part of the town that, with the museum, planetarium and recently relocated Beecroft Gallery, is rapidly establishing itself as a cultural quarter.

“I look forward to its opening on 6 February.”

DigbyDigby Fairweather, founder of the National Jazz Archive, said:
“This wonderful development represents the most significant advance in the preservation of jazz’s culture since the National Jazz Archive opened in Loughton in 1988, and its arrival opens the door for endless possibilities in the future, including the establishment of a national jazz centre for the UK.”

The new National Jazz Archive facility is at the Beecroft Gallery, Victoria Avenue, Southend-on-Sea, Essex SS2 6EX. www.southendmuseums.co.uk

For further information contact: Nick Clarke, National Jazz Archive, 020 8502 4701
Email: Nick Clarke or [email protected]

About the National Jazz Archive
The National Jazz Archive is a registered charity based in Loughton Library in Essex. It was founded in 1988 by Digby Fairweather, and holds the UK’s finest collection of written, printed and visual material on jazz, blues and related music, from the 1919 to the present day. The Archive holds more than 4000 reference books, specialist periodicals and bulletins spanning over 600 titles, archival material, artwork, ephemera and photographs. It is open on Monday, Tuesday, Wednesday and Friday from 10am to 1pm.

NJA-LogoThe Archive’s vision is to ensure that significant jazz material should be safeguarded for future generations of enthusiasts, professionals and researchers. The Archive received a Heritage Lottery Fund grant in 2011 that supported a three-year access development project ‘The Story of British Jazz’ enabling the collection to be fully conserved and catalogued for the first time. Significant items were digitised and are now accessible online.

The Archive was awarded a Heritage Lottery Fund grant in Autumn 2015 for an 18-month ‘Intergenerational Jazz Reminiscence’ project. Work on this started at the beginning of 2016.

The National Jazz Archive, Loughton Library, Traps Hill, Loughton, Essex IG10 1HD
The National Jazz Archive on Facebook

Recent Fundraising Concerts have starred Keith Ball and Alan Gresty.

Keith-Ball

Keith Ball

Alan-GrestyJJ

Alan Gresty

 

 

 

 

 

 

 

 

The Beecroft Gallery
The Beecroft Gallery is on Victoria Avenue, Southend-on-Sea, next to the Central Museum and close to the Civic Centre and Courthouse. A pay & display car park is beside the Gallery. Disabled parking is behind the Gallery.

Southend Victoria Train Station, on the Liverpool Street line from London, is just two minutes’ walk from the Gallery. Southend Central train station, on the London Fenchurch Street line, is a 5–10 minute walk.

Many local buses stop next to Southend Victoria Station.

Jazz in Southend
Although the pre-war history of jazz in Southend remains misty, its position as a significant centre for the music since 1945 is unquestionable. From then and throughout the 1950s there were jazz clubs in the town as well as major venues including the Kursaal (which hosted all the greatest big bands of the era), the Odeon Cinema and Cliffs Pavilion. In turn these welcomed American jazz legends including Louis Armstrong, Count Basie, Ella Fitzgerald, Sarah Vaughan, Oscar Peterson, Woody Herman and many more.

Today, there are five flourishing jazz clubs in the town which regularly feature top names from London’s jazz scene as well as local professional performers.  Southend Bandstand features many local jazz bands during the weekend summer concerts.

The National Jazz Archive

Peter M Butler
Editor & Proprietor Jazz&Jazz

(Photos of Simon Spillett, Digby Fairweather and Alan Gresty © Peter M Butler, Jazz&Jazz
Remainder courtesy of The National Jazz Archive)

Lights! Camera! Action! on “Shiny Stockings”!

 

Tad Newton's Jazzfriends starring Gary Wood [trumpet], Ronnie Fenn [drums], Tad Newton [trombone], Alan Haughton [piano], Bill Coleman [bass], Frank Griffith [sax] PLUS Special Guest Greg Abate (sax).

Tad Newton’s Jazzfriends starring Alan Haughton [piano], Tad Newton [trombone], Bill Coleman [bass], Gary Wood [trumpet], Greg Abate (sax), Ronnie Fenn [drums], Frank Griffith [sax].

But it’s not quite like that filming live at Jazz Clubs!


“Lights” can be anything but …!

“Camera” depends on juggling for space with fans for available shooting angles! And “Action”? Well there are no opportunities for “Take Twos” once the band has launched into the number – even if part way through filming the camera man is all but knocked off his feet by a fidgeting fan heading for the bar!

Such was the case when I was filming at a recent gig starring Tad Newton’s Jazzfriends at The Walnut Tree Jazz Club, Blisworth, in November, 2015.

The number? Count Basie’s “Shiny Stockings” with references to “Strictly Come Dancing”.

And yet I wouldn’t swap filming live for studio set ups any day. It captures the moment, the fun, the atmosphere – the sheer joy of live jazz! PLUS it avoids all those “Take Two” dramas!

I plan to make much more of my Hi Def YouTubes as just about the best way within my capacity to help hasten the emerging jazz revival.

So be sure to make a habit of visiting my Jazz&Jazz YouTube Channel.

Meanwhile, here is “Shiny Stockings”. Enjoy!

Peter M Butler
Editor & Proprietor Jazz&Jazz

(Photos & YouTubes © Peter M Butler, Jazz&Jazz)

“A Breeze from New Orleans” Winning Post Photo Story 14th January, 2016

 

Band

Steve Graham & Annie Hawkins

Steve Graham & Annie Hawkins

Long John Whittingham & Paul Bacon

Long Tom Whittingham & Paul Bacon

 

 

 

 

 

 

 

 

Brass-Drums-Bass

Sarah Thatcher

Sarah Thatcher

Liz Bacon

Liz Bacon

Gabriele Gad

Gabriele Gad

Band2

With thanks to The Winning Post

(Photos courtesy of Laurence Cumming © Jazz&Jazz)

It Was Bound To Be A Sure Fire Sell Out! The Adrian Cox Quartet at Ronnie Scott’s!

AdrianBand
Ginny and I should have been there on Sunday, 17th January, but I came down sick and so we couldn’t make it! So thanks, Adrian, for finding takers for our places who hadn’t wanted to miss out. Then Tony Leppard came to the rescue with great photos of the show – so all was not lost – except perhaps a YouTube or two! But I do have others of Adrian even if not at Ronnie Scott’s.

Adrian (Leader, Clarinet), Nils Solberg (guitar), George Trabar (bass), Mez Clough (drums) and special guest Tom Kincaid (piano).

AdrianF

Peter M Butler
Editor & Proprietor Jazz&Jazz
Photos Courtesy of Tony LeppardAdrianNeils

Remembering Johnny

Jazz&Jazz photographer Laurence Cumming took these photos of Johnny Rodgers at
The Winning Post, Twickenham, in August 2015. He and I thought jazz fans would
appreciate our posting them on Jazz&Jazz in memory of a wonderful and
much loved musician.

Johnny’s funeral is at 1.00pm on Tuesday, 26th January, at St. Mary’s Church, Off Church Road, Burton End, Stansted Mountfitchet, Essex, CM24 8UB. All are welcome at the church but family only at the graveside, please. There will be a wake which will be announced at the service. Thank you, Barry Palser, for this information.

Latest information received from Barry: “Johnny’s ‘Celebration’ will take place at Bishops Stortford Football Club, Pro-Kit Stadium, Dunmow Road, Bishops Stortford, Essex CM23 5RG. Plenty of parking available.”

Remembering-Johnny1

Remembering-Johnny2

Remembering-Johnny3

Peter M Butler
Editor & Proprietor Jazz&Jazz

Farewell Johnny Rodgers, You Will Be Greatly Missed

YouTube
YouTube
LinkedIn
LinkedIn
Share