Dréo de Lille’s Stunning Rendition of Oscar Brown Jr’s “Dat Dere”

During their April, 2017, UK Tour, Old Chaps Jazz Band from Lille, France, starred at
Tad Newton’s Walnut Tree Jazz Club, Blisworth, Northants, where I was privileged 
to film several numbers for YouTubes.

Dréo’s rendition of Oscar Brown Jr’s “Dat Dere” was immensely compelling, even spellbinding!
One of those rare occasions of being in the right place at the right time to
capture something very special.

[Read more…]

Jazz&Jazz Presents National Jazz Archive Updates

 

Latest news from the National Jazz Archive

Welcome to our November 2016 Newsletter

A great afternoon with Alan Barnes
Mike Rose writes: As jazz fans will know, an Alan Barnes gig always guarantees a number of things. First, wonderful, joyful jazz. Second, an array of jokes both old and new, amusing passing comments made to the audience, and finally, a thoroughly enjoyable time for all. Add the excellent line-up of Henry Lowther (trumpet), Frank Harrison (piano), Simon Thorpe (bass) and Matt Fishwick (drums) and you have a perfect package.

Alan’s Quintet played a fundraising gig for the Archive on Saturday 22 October at Loughton. A packed house of discerning jazz aficionados enjoyed a nice mix of jazz standards and a selection of Alan’s excellent original writings. Henry Lowther sounded like he had just arrived from the West Coast with the coolest trumpet sound. Frank Harrison’s lightness of touch both during his solos and filling-in behind the front line were a sheer delight. Simon Thorpe and Matt Fishwick provided a solid basis for the quintet as well as highly imaginative and enjoyable solos.

And yes, a great time was had by all.


Black Icons magazine launched
Thirty-seven young people from London’s inner-city boroughs have collaborated to produce a free new magazine, celebrating Black Icons of the British Jazz Age in the 1920s and 30s. ‘Black Icons’ was launched during Black History Month in October.

Black Icons is an initiative by the award-winning charity Fashion Awareness Direct (FAD) and is funded by the Heritage Lottery Fund in collaboration with the Black Cultural Archives. The project sees iconic Black figures such as entertainer Rita Cann, boxer Len Johnson and broadcaster Una Marson brought to life, empowering Black youth and inspiring young people from all backgrounds with their shared heritage.


This stunning fabric was inspired by the story of Ken ‘Snakehips’ Johnson, band leader and dancer, killed in an air-raid in London in 1941.

This unique project encouraged those involved to conduct hands-on archive research with original source material. Volunteers heard lectures from respected historians to inform their work. The young volunteers explored London’s rich archives at the BFI, the British Library and the National Jazz Archive, before designing and creating textiles inspired by traditional East African Kanga cloth, to celebrate their chosen Black Icons. These cloths were then modelled by the young people themselves, providing the images for the final magazine.

Read more about the project here.


Forty-five years of jazz images – from Abercrombie to Zirilli
A stunning new book – ‘Brian O’Connor’s Images of Jazz’ – of more than 400 photographs of jazz musicians taken over 45 years, has been published – an ideal Christmas present for jazz lovers!

The book captures striking and atmospheric black and white and colour photos of musicians taken at more than 60 venues in London and across the UK between 1971 and 2016. It includes photos of UK and visiting American and European musicians both onstage and informally. Several musicians are featured at different stages of their careers, from exuberant youth to successful maturity.

Brian includes affectionate notes about his regular visits to Ronnie Scott’s and other venues, and shares insights into his life as a jazz photographer, capturing the moment. There are notes for the camera enthusiast, and a detailed index of musicians.


Courtney Pine at Love Supreme, 2014

Brian O’Connor’s Images of Jazz’ is published by Riverside Publishing Solutions, in association with the National Jazz Archive. The book is A4 hardback, 132 pages printed in colour throughout, ISBN 978-1-5272-0057-9. The book is priced at £25 plus £4.95 post and packing (UK), but the price for orders placed before 24 December 2016 is £20 plus p&p.

For more information and to order, contact Brian O’Connor: [email protected].

London Jazz News published a preview/ interview with Brian here.


Searching for the young soul rebels: style, music, art in London 1956-69
The Paul Mellon lectures 2017 will be given at the National Gallery, London on Monday evenings from 9 January to 6 February 2017 by Thomas Crow, Professor at the Institute of Fine Arts, New York University.

He will discuss the late-1950s emergence of the Modernist style among youthful connoisseurs of advanced American jazz and how it fostered a favourable climate for signature British artists of the 1960s. Themes include:

● Modernist faces: hard bop and clean design
● Jazz painting? Modernist Hockney?
● Painting sensations: Pauline Boty/Bridget Riley
● Hippy hippy shake: sculpture through the counterculture
● The great lost look c.1969: beyond cultural studies

The lectures, named in honour of the philanthropist and collector of British art, Paul Mellon (1907-99), were inaugurated in 1994.The lectures are biennial, given by a distinguished historian of British art.

Read more.


Don’t miss the Simon Spillett Quartet!
Saturday 11 February is the date, and Loughton is the place.

The ‘formidable’ Simon Spillett is bringing John Critchinson, Alec Dankworth and Clark Tracey to play a fundraising concert for the Archive. It starts at 2.30pm and tickets, price £15, can be ordered here.


Reminiscing in Colchester
Our Intergenerational Jazz Reminiscence project held its third reminiscence workshop in partnership with Loughton Youth Project at Lion Walk Activity Centre in Colchester on 26 October.

The workshop showcased some of our archive material, as well as artwork and artefacts from Colchester Jazz Club’s Dave Bailey. Local jazz musician Goff Dubber also delighted participants with soprano sax and clarinet.

Read Layla’s blog post here.

Celebratory events at three Essex jazz clubs are planned for February as the next stage of the HLF project:

● Sunday 19 Colchester 
● Sunday 26 Hornchurch
● Monday 27 Southend 

These will feature performances from young musicians: more details will be in our newsletters in the New Year.


Join us on 12 December
For the first time for some years, the National Jazz Archive will be holding an Annual General Meeting. This will be at 12.30 on Monday 12 December, at the Archive in Loughton Library, Traps Hill, Loughton IG10 1HD. It will be followed by refreshments, and the opportunity to thank all our volunteers for their great work over the past year. All are welcome: if you plan to join us, please email [email protected]beforehand so we can order enough sandwiches!


Gems from the Archive – Bobby Wellins
This month we feature Bobby Wellins, who sadly passed away on 27 October 2016. A proud Scot, Bobby has long been considered one of the UK’s greatest tenor saxophonists. His career extended over five decades and had many highs and, regrettably, a few lows.


The Wellins-Wray Quintet at Ronnie Scott’s. From left: Peter Baker, Ken Wray, Tony Archer, Gordon Beck, Bobby Wellins. From Jazz News, Dec 1960

In 1965 Bobby recorded Stan Tracey’s ‘Under Milk Wood’, the suite inspired by Dylan Thomas’ radio play, with Stan at the piano, Jeff Clyne on bass and Jackie Dougan on drums. This album has rightly become regarded as one the finest UK jazz albums every produced. In 2010, Guardian critic John Fordham wrote of Bobby’s performance “Wellins’s softly hooting sax, the rippling tone-poem ‘Starless and Bible Black’ is widely acclaimed as one of the great jazz performances”.

In 1996 Bobby recorded an album which was his personal favourite – ‘The Satin Album’ – which was his instrumental interpretation of the 1958 Billie Holiday album of the same name. ‘You Don’t Know What Love Is’ is a track from Bobby’s version.


In 2006, Bobby gave JazzUK magazine an interview in which he talked candidly about his life. Read the first part here and the second part here.


In recent years, Bobby made himself known to younger jazz fans, appearing at many venues across the UK. He was rarely seen without a smile, was down to earth, self-effacing and happy to greet his many admirers. And apart from that he was a fabulous tenor player and will be sadly missed. Put simply, Bobby you did it In Your Own Sweet Way.

The photo at the top was taken by Denis Williams at the Fairway, Welwyn Garden City in 1997. The photo of Bobby and Stan Tracey was taken by Brian O’Connor in 2007.


Pass it on … !
Have you found this newsletter interesting? Why not pass it on to jazz-loving friends and encourage them to sign up on our websiteto receive it direct every month.

The photo of Coleman Hawkins and Sonny Stitt was taken by Terry Cryer in Bradford in 1959. The Archive holds 160 of his photos.


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The National Jazz Archive was founded by trumpeter Digby Fairweather in 1988 and is supported by Essex County Council and the Heritage Lottery Fund.
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Presenting The Wonderful Music of the Jazz Greats


JBGB-Logo

JBGB Events presents leading UK musicians recapturing the music of George Shearing, Duke Ellington, Fats Waller, Jelly Roll Morton, Louis Armstrong … names for jazz fans to conjure with … along with tales, stories and anecdotes from their lives in a series of concerts at St James Studio, 12 Palace Street, Westminster, London, SW1E 5JA.

8.00 pm Thursday 15th October
The wonderful music of George Shearing featuring Simon Brown

George Sheering

George Sheering

A no-hope congenitally blind boy from Battersea grew to become a US Grammy Award winning jazz great pianist. Shearing performed at Carnegie Hall and for three presidents at The White House, with his unique style of Glenn Miller swing, bop and modern classics. His many albums and singles include hits such as “Lullaby Of Birdland”, ”Pick Yourself Up” and “September In The Rain”. In 2006 George Shearing was knighted by The Queen. Sir George simply said “I don’t know why I’m getting this honour… I’ve just been doing what I love to do. My mind keeps flashing back on my beginnings as pianist playing in a pub for the equivalent of $5.00 a week. What a journey from pub to Palace. Receiving such an honour might also show young people what can be achieved in life if you learn your craft and follow your dreams.”

Flash Back to George Sheering: “One Morning in May”

Simon Brown

Simon Brown

Simon Brown, on piano, returns to St. James, following his exciting presentation in our 2014 series of The Wonderful Music of Herbie Hancock. In this current 2015 series his quintet, presenting those unique Shearing voicings, showcases the sparkling and youthful talent of Lewis Wright – vibraphone (fresh from his appearance with Wynton Marsalis at The Barbican), alongside Simon Hurley – guitar, Dave Olney – double bass and George Double – drums.

Tickets £19 & £23
To book either call 0844 264 2140 or go online to www.stjamestheatre.co.uk

(Round the corner from Victoria Station & Buckingham Palace. Arrive early and dine in the Carrara restaurant at the St. James Theatre. Stay late after the show relaxing in the bustling café bar).

8.00 pm Thursday 29th October
The wonderful music of Duke Ellington featuring Alan Barnes

Duke-Ellington-Band

“Duke” Ellington is arguably the greatest composer, pianist and bandleader of jazz orchestras. His career from 1923 spanned over 50 years. Ellington was based in New York City from the mid-1920s onward, and gained a national profile through his orchestra’s appearances at the Cotton Club in Harlem. Members of Ellington’s orchestra, such as Johnny Hodges and Cootie Williams are jazz greats in their own right and his collaborations with composer-arranger-pianist Billy Strayhorn, created long lasting jazz themes including “Perdido”, “It Don’t Mean A Thing” and “Take The “A” Train”. Ellington composed incessantly to the very last days of his life. Music was indeed his total life and his commitment to it was in comparable and unalterable. In jazz he was a giant among giants.

Alan Barnes

Alan Barnes

UK award-winning jazz great, Alan Barnes on saxophones, leads an all stars UK line up to play the wonderful music of Duke Ellington at St. James, featuring Bruce Adams – trumpet, Robin Aspland – piano, Simon Thorpe -double bass and Bobby Worth – drums.
“Alan infuses his playing with so much passion and energy you could believe it was minted on the spot” (John Walters. The Guardian).

Tickets £19 & £23
Call 0844 264 2140 or online at www.stjamestheatre.co.uk

8.00 pm Thursday 12th November 
Fats Waller & Jelly Roll Morton featuring Keith Nichols

Fats Waller

Fats Waller

Jelly Roll Morton

Jelly Roll Morton

Thomas “Fats” Waller was the prize pupil, and later colleague, of the great stride pianist James P. Johnson. He grew to become an influential American jazz pianist, organist, composer, singer, and comedic entertainer, whose innovations to the Harlem stride style laid the groundwork for modern jazz piano with compositions “Ain’t Misbehavin’”,
“I Can’t Give You Anything But Love”
and “Honeysuckle Rose”.

Jelly Roll Morton, was a New Orleans American ragtime and early jazz pianist, bandleader and composer. Widely recognised as a pivotal figure in early jazz, Morton was jazz’s first “arranger”, proving music rooted in improvisation could retain its essential spirit and characteristics when notated. His compositions, including “Jelly Roll Blues”, “King Porter Stomp” and “Black Bottom Stomp” are must-plays in the piano repertoire.

Keith Nichols

Keith Nichols

Following his sell-out concert at St. James in 2014, playing the music of Scott Joplin and the Ragtime Masters, Keith Nichols, one of the foremost and in demand pianists specialising in older piano styles, returns for this concert. Keith is joined for The Wonderful Music of Fats Waller and Jelly Roll Morton, by Trevor Whiting – clarinet and Martin Wheatley – acoustic guitar and banjo.

“I’ve heard a lot of pianists, but Keith Nichols plays the nearest to my father”
(
Fats Waller’s son Maurice)

Tickets £19 & £23
To book either call 0844 264 2140 or go online to
www.stjamestheatre.co.uk

8.00pm Thursday 21st November
The Wonderful Music of Louis Armstrong featuring Simon Nelson’s DixieMix

Louis

Louis Armstrong, nicknamed “Satchmo”, came to prominence in the 1920s, influencing countless musicians with both his daring trumpet style and unique vocals In the 1920’s Armstrong’s charismatic stage presence impressed not only the jazz world but also
popular music.

Armstrong made more than 60 records with the Hot Five and, later, the Hot Seven. Today, these are generally regarded as the most important and influential recordings in jazz history; on these records, Armstrong’s virtuoso brilliance which he developed further with the All Stars – 1946-1956, helped transform jazz from an ensemble music to a soloist’s art.

Dixiemix

Simon Nelson and his DixieMix band, fresh from their UK tour as support band for Rod Stewart, make their debut at St. James playing the wonderful music of Louis Armstrong along with their own improvisations and creative sensitivities.

Simon Nelson – trumpet, Pete Oxborough – clarinet, Chris Wigley – trombone, Kevin West – banjo, John Benson bass and Tony Wilkins – drums

“Wonderful foot tapping entertainment from a superb band!” (The Hoste of Jazz)

Tickets £19 & £23
To book either call 0844 264 2140 or go online to
www.stjamestheatre.co.uk

St-James-BannerMUSICIANS LOVE ST. JAMES
“St. James Studio is a fine new jazz venue for London.” Keith Nichols

“St. James Studio is an ideal space for performer and audience alike for an
intimate evening of jazz. A real joy” 
Simon Brown

“What a terrific venue! Excellent sound, great piano, excellent sound man, helpful staff. I have played at St. James Studio several times over the last couple of years and thoroughly enjoyed it. A professionally run and deservedly successful venue – a very welcome addition to the London jazz scene.” Mark Crooks

AUDIENCES LOVE ST. JAMES
and “The Wonderful Music of  The Jazz Greats” Series

“I think the venue is the best in London for a jazz ‘club’. Small, intimate and with a feeling of New York. Almost as if at any time Woody Allen may drop in on his way back from the editing suite”

”Brilliant evening. Great time had by all.”
“Fantastic night”
“Wonderful atmosphere”
“The musicians were awesome”
“One of the best nights out we’ve had in ages”
“Thanks for a fantastic evening”
“The venue is ideal”

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