Olney Swings into 2017 with Peterson, Bechet & Dudley Moore!

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Hello Jazz Lovers,
I hope you all had a great Christmas and wish you all the best for a Happy New Year!
Welcome to our January Newsletter
First, many thanks to all those who contributed to the charity raffle at the December gig … we raised £188.00 and have made donations to the Alzheimer’s Society (£100) and the
Tibbs Dementia Foundation (£88).
Yet again we’ve some great and varied gigs coming up!
 
Tuesday January 3rd 8.00pm
STOP PRESS! THIS EVENT IS SOLD OUT! BUT SCROLL DOWN FOR THE FEBRUARY AND MARCH GIGS!
Craig-Milverton
 
Top UK jazz pianist Craig Milverton comes up from the west country with his quartet to give us his famous “Tribute to Oscar Peterson” show.
 
Craig Milverton is firmly established as one of Britain’s Top Jazz Pianists.
• “A master of whatever he chooses to perform” (Humphrey Lyttleton), 
• “An extravagantly gifted pianist with an unrivalled sense of swing” (Jazz CD of the MonthDave Gelly, The Observer).
•”The best pianist to come along in Britain in the last two decades, and the nearest to the great Oscar Peterson” (Digby Fairweather).
Just three of the quotes extolling Craig’s jazz talent – recognised by his winning the Jazz Piano Category in The 2010 British Jazz Awards.

In his latest project, A Tribute To Oscar Peterson’, Craig pays homage to his biggest influence, probably the greatest of all jazz pianists, Oscar Peterson. This show highlights Oscar’s great recordings from his biggest hit ‘Tenderly’ to his best selling album ‘Night Train’. It also focusing on his great compositions including ‘The Canadiana Suite’ celebrating his homeland of Canada.

Craig recorded his tribute to Oscar in 2007 and has received top reviews in the Jazz Press. A Tribute To Oscar Petersonhas also featured at many top venues including Ronnie Scotts, Pizza Express Dean Street and the Concorde Club. Festivals have included Brecon, London and Swanage.

This concert is a must for all Peterson fans and all who love jazz that swings.

Starring with Craig will be three of today’s most talented jazz musicians:
Dominic Ashworth on Guitar (2006 British Jazz Awards winner),
Sandy Suchodolski on Bass and Nick Millward on Drums.
Definitely an Olney Gig one not to be missed!
Although the Carlton House Club has sold out, you can get tickets from
Phonebox Magazine, Stanley Court, Olney £12 or £10 in advance…..
Book a table to dine from the special Jazz Menu –  two main courses for £12! 
 

Tuesday February 7th 8.00pm

pete-allan
“A Taste of Bechet” featuring The Pete Allen Jazz Band. 
 
PETE ALLEN – Clarinet/Saxes – Honorary Citizen of New Orleans USA
DAVE BROWNING – Britain’s King of Stride Piano
JOHN PETTERS – Our great swinging drummer in the style of Gene Krupa
KIETH DONALD – A much respected jazz Bassist
JIM DOUGLAS – Europe’s top jazz guitarist ex Alex Welsh Band
 
Pete Allen is regarded as one of Europe’s most talented and exciting masters of the clarinet and sax. In 1976 he joined Rod Mason and two years later formed his own professional band. He brought together a musical style and stage presence that has created an enthusiastic following from both the traditional jazz fans and those who simply enjoy happy music and songs for both listening and dancing.
As a boy, Pete grew up with jazz. He studied the music of all the old time music greats, especially Ed Hall and Sidney Bechet two great legends of American jazz clarinet and soprano saxophone, although Pete has never tried to copy their style but has developed his own quite unique, exciting sound.
Over the years Pete has appeared on many television and radio shows, both with his own band and as a solo artist. He has topped the bill in those magical homes of jazz, St. LouisSacramento and of course, New Orleans, where he was awarded an Honorary Citizenship for his services to jazz music. In the mid eighties he was chosen to lead the Worldwide All Stars at the jazz Jubilee in Sacramento. More recently, Pete has been selected to play for the European Top Eight Jazz Band in Germany, on a number of occasions, and the Philips International All Stars in Holland and also fronts the London Paris All Stars and his own chosen European Swing Band. For over five years he also found time to present his own jazz programme for BBC Radio.  
 
The Band perform a slick fast moving show in tribute to the jazz legend of the Soprano Sax – Sidney Bechet.
Pete will include many of his greatest hits including Indian Summer, Si Tu Vois Ma Mere, Petite Fleur, Roses of Picardy and many more. Plus there will be solo features from Dave, John & Jim.
An evening not to be missed so book yourself a seat for a swinging treat! 
£12/£10 in advance from Carlton House Club, High St, Olney 01234 711348
or Phonebox Magazine, Stanley Court, Olney

Tuesday March 7th 8.00pm

dudley_moore_2

“The Jazz of Dudley Moore”

The Chris Ingham Quartet featuring Chris Ingham (piano), Paul Higgs (trumpet), Geoff Gascoyne (double bass) and George Double (drums).
 
The following is from the “Jazz of Dudley Moore” cd sleeve notes:
 
“Dudley Moore, beloved comic actor, we all know about.
 Perhaps fewer know about Dudley Moore, pianist — the virtuoso brilliantly exploiting the stylistic possibilities, gifted to him by Errol Garner and Oscar Peterson, in late night sessions at Peter Cook’s Establishment Club in 1960s Soho, dazzling appearances on BBC TV’s Not Only But Also and the sparkling Decca trio recordings. And perhaps fewer still, Dudley Moore, composer — purveyor of quirky, imaginative jazz originals and the witty music for Bedazzled and 30 Is A Dangerous Age, Cynthia, nuanced movie scores far superior to the movies themselves.

“In preparing a recording celebrating the music of Dudley, we were tempted to pay homage to his 1960s piano-trio style. After all, Chris, George and I had all been indelibly influenced by the very particular, tight-knit, hard-swinging playing of Dudley, bassist Pete McGurk and drummer Chris Karan. However, whilst exploring the tunes with Paul on trumpet, we began to discover the richness of his compositions and understand a more authentic, and perhaps more revealing way of entering into Dudley’s musical world. 

“As part of that process we took time to read something about the man’s complex and highly conflicted life, one filled with shades of light and dark, joy and woe. Here is not the place to explore any details of this, but what is musically relevant was the way we found these same shades expressed in his compositions. Some of his pieces are, of course, quintessential expressions of the bright, optimistic, swinging ‘60s in which Dudley came to fame, but others are deeply poignant, personal expressions of a darker, more complex world, whilst elsewhere you’ll find a unique and bittersweet mix of the two. 

“It is this emotional range and depth that has made playing Dudley’s music a rather intimate and heartfelt pleasure for all of us and, we sincerely hope, for you too.”
(Rev. Andrew J. Brown)
 
Tickets £12/£10 in advance from Carlton House Club, High St, Olney 01234 711348
or Phonebox Magazine, Stanley Court, Olney
 
Don’t miss these shows….I’m sure tickets will fly!
Check it all out at www.olneyjazzclub.com
 
Make your next jazz gig a definite at Olney Jazz Club!
 
Cheers,
Alan
Olney Jazz Club

“Over In The Glory Land”: New Orleans Heat with Gwyn Lewis

I’ve made a New Year Resolution to revisit various of my
Jazz&Jazz YouTubes taken since 2013.

First up is New Orleans Heat at The Peartree Jazz Club in Welwyn Garden City in October, 2013. Three reasons. First, I was just getting accustomed to a technological innovation, The Sony Lens Camera, filming Hi Definition linked by local wifi to my iPhone. Second, so far it has proved to be my one and only opportunity to film Gwyn Lewis, The Welsh Viking, who is no longer with the band. Third, sadly The Peartree is no more•.

L to R: Mike Taylor, Gwyn Lewis and John Scantelbury

L to R: Mike Taylor, Gwyn Lewis and John Scantelbury

My apologies that it’s not my best filming and is even cut short. Early teething troubles! But until I catch up with Gwyn again, at least I got to film him in his days with New Orleans Heat.

Peter M Butler
Editor & Proprietor Jazz&Jazz

(Photos & YouTubes © Peter M Butler, Jazz&Jazz)

Hot Off The JazzNet: A New Year’s Jazz Treat From Way Down Under!

down-under-banner

A close friend who emigrated to Australia in 1968 and who recently called on us during a visit back to the UK sent me these YouTubes yesterday. They are lengthy but you could sit back and enjoy some “down under jazz” over New Year’s weekend. 

Melbourne University Jazz Band: Survivors and Friends 71st AJC

“First set at the 71st Australian Jazz Convention, Ballarat, 2016. Last convention we played at was the 15th, at Kew in 1960! Most of the original members were unavailable (take a guess), so we’re three survivors (John, Vin and me) and six friends (Brett, Tim, Harry, Chris, Ken, Tony). See Melbourne University Jazz Band’s Facebook page.”

Nicholas Rubish

John Roberts (tpt), Tim Shaw (clt), Brett Iggulden (sax), Harry Price (tbn), Vin Thomas (voc), Nick Ribush (pno), Tony Orr (bjo), Chris Farmer (sbs), Ken Farmer (dms).

Second Set
Thanks go to the revived Melbourne University Jazz Band and to my pal Roger for sending me the YouTubes.

Peter M Butler
Editor & Proprietor Jazz&Jazz

Gripping Yarns Continued: When The Sea Froze Over!

Roger Pout and have been firm friends since our school years in Herne Bay. We got into jazz together in our late teens. This is one of my very early attempts at "jazz photography".

Roger Pout and I have been firm friends since our school years in Herne Bay. We got into jazz together in our late teens. This is one of my very early attempts at “jazz photography”. Jazz was popular at the Kings Hall back then. Fans flocked to see stars such as George Melly, Chris Barber, Humphrey Littleton, Kenny Ball, Jonny Dankworth and Cleo Lane.

“When The Sea Froze Over” is the third in my Series of Short Stories about my early years in Herne Bay, Kent, to be featured on Jazz&Jazz. Some might seem out of place with jazz! But really they are not as I first got into jazz in my late teens in Herne Bay. Some will include my early jazz adventures in Herne Bay. For instance, visit “Just Reminiscing”! I’m also sharing the stories on Herne Bay & Herne Remembered.

“When hell freezes over” is an expression used to indicate that something anticipated or threatened will never happen. But it did!

I vividly remember the event. It was late night, Saturday, 29th December, 1962. Two friends and I stopped in our tracks as we emerged from The Divers Arms along from the Clock Tower on Herne Bay sea front. A ghostly, persistent rustling filled the freezing air. We crossed the road and peered over the low sea wall. Behold – a swell of heaving ice crystals!

It was the beginning of the “Big Freeze” – the winter of 1962/63 – one of the coldest in the UK since 1659. Within a few short hours the sea froze over way beyond the pier head – and the blizzards swept in!

But for us it heralded a series of thrills and spills – adventure time!

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Salt water turning to ice!

Against all warnings a bunch of us dared to walk the frozen sea for at least a 100 yards offshore. We negotiated the blizzards and massive snow drifts across Reculver Marshes. We walked the frozen dykes and river beds. Ever upwards and onwards. We tobogganed and skied from the top of The Downs right along past The Ship Inn on the sea front to set new distance records. Not to speak of snowball warfare!

There was the time when a group of us heard Roger ‘A’ yelling “come back you Bs!” We turned back but he was nowhere in sight. He was the last in the line to negotiate the dyke – and the snow drift had consumed him.

Then there was the day when, thinking the roads were clearer, we set off in Roger “B’s” Mini heading in the direction of Reculver. We almost didn’t make it! But there were enough of us crowded in the car somehow to push the Mini clear.

Our winter wonderland adventures lasted into February when more blizzards struck. But of it all one frightening incident I will never forget.

Patch, my ever faithful dog accompanied us on many of these expeditions and especially loved skidding around on the frozen sea. So came the thaw and the ice flows. But Patch was unaware of the danger. He leapt from the beach onto the ice and then to the next flow. But it tipped as he landed and he slid back towards the crevice. He could have been crushed. I jumped onto the ice to save him. It tipped and impelled Patch towards me. Amazingly I caught him and leapt back to the safety of the beach.

Such vivid memories – as if they were yesterday!

Peter M Butler
Editor & Proprietor Jazz&Jazz

Mellifluous Xmas Time Jazz at The Walnut Tree, Blisworth

tad-trombone

Especially selected, three Jazz&Jazz YouTubes filmed at
Tad Newton’s Jazzfriends’ full of fun Splendiferous Walnut Tree Christmas Special 
on Sunday, 18th December, 2016.

Tad (trombone), Alan Haughton (keyboard), Tomas Pedersen (bass), Gary Wood (trumpet),
Trevor Whiting (saxophone), Ronnie Fenn (drums)

Peter M Butler
Editor & Proprietor Jazz&Jazz

(Photo & YouTubes © Peter M Butler, Jazz&Jazz)

USAF Band WWII Seasonal Flashback

I received this from a close and longstanding jazz friend in California this morning and, in the spirit of the season, simply had to share it with all the followers of Jazz&Jazz worldwide. It sure beats the Christmas and New Year greeting I ran out to time to post!

It came with the message: “So nice, watch it and imagine how our parents and grandparents may have seen the holiday celebrated. So much talent!”

Keep Jazzin’

Peter M Butler
Editor & Proprietor Jazz&Jazz

Featuring The National Jazz Archive’s December Newsletter

Thank you
National Jazz Archive
for featuring Jazz&Jazz in this edition.

Peter M Butler
Editor & Proprietor Jazz&Jazz

Latest news from the National Jazz Archive
Welcome to our December 2016 Newsletter
Season’s greetings
Season’s greetings to all our readers and best wishes for a jazz-filled 2017! 

The Archive will close on 23 December and reopen on Wednesday 5 January.

You can read the whole of the December 1961 issue of Jazz News above HERE.


Thank you!
Thanks to Jan Chadwick for this great picture of the band led by her father, Freddie Brinklow, in one of their comedy music routines, probably from a Butlin’s season in the early 1960s. Can you help identify the musicians?

Crescendo’s overview of radio broadcasts featuring Freddie’s band in December 1963 can be read HERE.

Thanks especially to Roy Johnson for donating a large number of Marler Haley display panels to the Archive – these will be ideal for use at concerts, festivals, and public events.


John Chilton’s papers
The Archive has been given a wonderfully rich collection of papers, letters, photos, cuttings and programmes belonging to John Chilton, who died in February. (The warm obituary by Peter Vacher in The Guardian is HERE.) The papers and files were donated by John’s son Martin, and have now been assessed and listed.

As well as being a fine trumpeter and bandleader, John was a highly regarded jazz researcher and writer. He wrote biographies of Louis Armstrong, Bill Coleman, Louis Jordan, Red Allen, Roy Eldridge, Sidney Bechet, Bob Crosby and Coleman Hawkins, and a series of major reference books about musicians in the US and UK.

A small group spent a fascinating morning a few weeks ago sorting through and listing the files. It is hoped that these can fully catalogued in due course, to make them accessible to researchers.

HERE is a fascinating interview with John about his biography of Roy Eldridge.

The photo above shows David Nathan (left) and Roger Cotterrell with John’s papers.


What happened, Miss Simone?
Many thanks to publishers Canongate for donating a copy of Alan Light’s new biography of Nina Simone to the Archive. Endorsed and supported by Simone’s estate, the book combines material gathered from archival footage and interviews with her family and friends.

The book will be BBC Radio 4’s Book of the Week in April 2017: if you can’t wait till then, you can read an extract HERE.


Websites you may have missed – Jazz&Jazz
jazzandjazz.com is dedicated to promoting jazz and more jazz for jazz bands, jazz musicians and jazz fans. Our aim is to raise the profile of jazz and to develop a sounding board for jazz by inviting bands, musicians and fans to share news and views about the jazz scene.”

The site is run and regularly updated by Peter Butler. It covers a great range of jazz topics, mainly featuring more traditional music, and also Peter’s paintings. He kindly recirculates the Archive’s monthly newsletter to his readers – thank you Peter!


Gems from the Archive – Duke Ellington in the UK
“London was the first city we went to on the other side of the Atlantic”, Duke Ellington wrote in his autobiography, “and we could not have had a better steppingstone to Europe”. On his first visit in 1933, London made a big impression on him, just as he and his band did on London.

But with World War II and a protracted squabble between the British and American musicians’ unions, they didn’t return for a quarter of a century.

In the 1960s he composed three Sacred Concerts, performing them in many churches and cathedrals, including Coventry and Cambridge. The premiere of the first in 1965 can be viewed HERE. The third was premiered in Westminster Abbey in 1973, just six months before his death. Les Tomkins’ interview with Duke about the Third Sacred Concert can be read on the Archive website HERE.

The Archive contains a vast amount of information about Ellington and his visits to the UK. Of special interest are the concert programmes which date from the first in 1933 up to his last in 1973. Many of the programmes held by the Archive may be viewed HERE.

The Duke and his orchestra created many memories for UK jazz fans on their visits. HERE are just a few.


Catch up on the past year
The National Jazz Archive held an Annual General Meeting, the first for some years, at the Archive in Loughton on 12 December. The draft minutes, including the chairman’s report on the year, can be viewed HERE.


It was a great opportunity to thank all our volunteers for their work over the past eventful year.


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The National Jazz Archive was founded by trumpeter Digby Fairweather in 1988 and is supported by Essex County Council and the Heritage Lottery Fund.
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New to Jazz&Jazz: MORE GRIPPING YARNS!

More Short Stories about Grip the Rook

Part 2: Getting to Grips with Life!

grip-pmb-mr-bert

My hair stylist Grip and Mr Bert, our close family friend.

Back in the 1950s when I was in my mid teens, Mr Bert, a very dear family friend then in his 90s, came to stay with us in Burlington Drive, Beltinge. He and my pet Rook, Grip, got on pretty well until one fine Summer’s day in the garden.

Bored with tending my hair, Grip swooped from my shoulder to share Mr Bert’s deckchair. Suddenly there was a yelp and an exclamation “Get off you old Devil!” Grip had taken a liking to the blue circle printed on the front page of the Daily Mail. He had lunged at it with his beak. Trouble was the blue spot just happened to be covering Mr Bert’s knee!

A Thing About Cheese
Most days Grip knocked loudly on our back door to be let in for his share of cheese. Then he would sidle up to our cat Schuby’s favourite chair, aim a peck at her twitching tail and then sidle away in hasty retreat. Other than that I suppose Grip and Schuby got on quite well.

Grip had a thing about cheese! When we threw a wedge to him, rather than bolt it down, he’d save it for later. He dug a pivot out of the lawn, dropped in his cheese, carefully hidden from sight. But if he realised there were spies about he’d retrieved the cheese, sidle further away and hide it all over again.

When she discovered my “Gripping Yarns” on Facebook, Pat Sargent commented: “We had a crow that my son found after it had fallen from the nest. We called him Joe. As far as he was concerned, our house was his house and he would come to the front door and knock on it and when opened he would walk into the kitchen and jump up on the counter and yell for his food. My most vivid memory was when my mother who had come to visit, got up early in the morning and heard a tapping on the front door. She opened it and I heard “Mother of God a crow has just walked in!”

Fun on the Putting Green!
We set up a putting green in the garden at “Heatherdene”. But with Grip’s help it became a bit of an obstacle course. Whenever we sunk a putt he was on hand to retrieve the ball and charge off across the lawn with it. Come to that, whenever we mowed the putting green lawn Grip would leap into the wheelbarrow and with his powerful beak toss the grass cuttings back over the lawn. He became a main attraction for holiday makers who stayed at my parents’ guest house and for passersby watching from the road.

crow-grip-story

Much later in life Grip’s putting green antics inspired this painting when I spotted a crow threatening a golf ball on the course close to our home in Hertfordshire.
So I wrote this poem to go with the painting:

Bogie or Birdie
What’s it to be?
Strut to the hole
And putt for the match?
Or go for the snatch
And bunker the ball?
Raucously crowing,
“Let’s handicap all!

My mother with the children.

My mother (top right) with the children.

A Sinister Incident?
Each summer my parents took in children from a London care home. Grip was a huge attraction for them and he took to them quite well. But one young lad tormented Grip. Once we heard yelling and raucous cawing. We dashed out to see Grip chasing the lad and pecking at his heels. We feared Grip would be in trouble but no such thing. The matron in charge of the children simply said Grip had taught the bully a well deserved lesson.

Come Xmas
I’m writing these “Getting to Grip with Life” mini sagas just a few days before Christmas so why not end with Grip’s Xmas antics.

Our house was every bit as much his as ours and at Christmas he wouldn’t be left out. My mother set up our Christmas tree in the dining room, which Grip very quickly discovered. So we left him to his own devises with very own parcel of nuts under the tree while we opened our presents. Next thing we knew, not only had he opened his own package but he had also cracked open most of the the nuts in sight and truly enjoyed his Xmas breakfast. PLUS he had set about helping himself to the tinsel on the tree.

These are tales I have passed on to my children and grandchildren and perhaps, having told them here, my adventures with Grip will be shared far and wide.

Peter M Butler
Editor & Proprietor Jazz&Jazz

Note to Jazz Fans: I’m preparing a series of short stories about my early years to be featured on Jazz&Jazz. If some of them seem out of place it’s because they precede my jazz years! I first got into jazz in my late teens in Herne Bay so some will include my early jazz adventures. I’m sharing the stories on Herne Bay & Herne Remembered.

An Interview with Acker

 

acker-interview-photo

David’s photo of Acker taken during the interview.

In 2004 David Ellis interviewed Acker Bilk at the Chester Gateway Theatre. David asked me if I would like to feature the interview on Jazz&Jazz. You bet I would, David! I’m honoured.

At the time David was writing freelance theatre previews and reviews. Acker was down to earth, warm and friendly and David didn’t feel at all anxious interviewing him before his concert.

David Ellis

David Ellis

David asked Acker if he played any other instruments. Acker replied he was only interested in the clarinet. As a youngster he started to learn the piano but was put off when he had to stay in on Saturday mornings to practice scales instead of getting out with his mates.

Acker told David it came as a complete surprise when he was awarded the MBE. He jokingly referred to it as being a Member of the Bristol Empire. He also spoke about his interest in painting landscapes in oils – “a good way to relax”. An artiste and an artist!

David’s Interview with Acker edited by Peter Davies

Peter M Butler
Editor & Proprietor Jazz&Jazz

Acker Bilk Presented with Special APPJAG Award at the Houses of Parliament

Meeting Acker at Wyllotts Theatre, Potters Bar, May, 2012

L/R: Bob Thomas of Bob Thomas and The Thomcats, Peter Butler, Acker Bilk, Brian Smith of Welwyn Garden City's Peartree Jazz Club

L/R: Bob Thomas of Bob Thomas and The Tomcats (sadly now also departed), Peter Butler, Acker Bilk, Brian Smith of Lemsford Jazz Club

New to Jazz&Jazz: “Gripping Yarns”

 

This may seem a diversion from Jazz but it is related. On my Facebook Page “Peter Mark Butler (Jazz and Jazz)” I launched a new series called “Gripping Yarns” which quickly proved popular amongst my Facebook followers, most of whom are jazz fans. I had planned to launch a new site to feature my “Gripping Yarns”. But why do that when some are related to jazz and I have so many jazz followers who love a good story?

So here goes with the first “Gripping Yarn”. The connection with Jazz? The location is my happy teenage home in Beltinge, Kent, a village just outside Herne Bay where I discovered jazz just a couple of years later. The photo is the profile picture I am using on Facebook. It has elicited considerable interest: Peter Mark Butler (Jazz and Jazz).

GRIPPING YARNS!

A Series of Short Stories about Grip the Rook

Part 1: Grip and Schuby

peter-gripw

 

This photo was taken way back in the 1950s when I was just 14/15 years old and my loyalist companion was my pet rook, Grip, named after the manner in which he gripped tight to my shoulder and the Raven in Charles Dickens’ novel, “Barnaby Rudge”.’

barnabygrip

I received quite a response when I posted the photo of Grip on my shoulder as my Facebook profile picture. So much so that I promised to reveal all about Grip’s gripping adventures. We couldn’t have been closer buddies!

I lived with my parents in Beltinge, on the clifftops east of Herne Bay, Kent, in those days. There were numerous rookeries around the village. Cycling home from school one day I found Grip by the roadside at the junction of Beltinge Road and Reculver Road. He was not yet fully fledged and there was no way I could return him to his lofty rookery. So I picked him up and balanced him on my shoulder where he gripped tight as I cycled the rest of the way home.

Grip and Schuby
Soon the adventures began. Grip quickly took to his new surroundings, even sidling up to our cat Schuby and tweaking his tail hung over the edge of his favourite chair. Yet it didn’t take long for them to develop a mutual respect for each other. By the way, Schuby got his name for walking my father’s piano keyboard – a touch of jazz!

Then came the main event! Another cat adventure Grip had later on. He roosted at night in a row of fir trees just outside my bedroom window. In fact we used to caw to each other to lull ourselves to sleep. One night there was a terrible kerfuffle – harsh cawing and fierce hissing. Grip was under attack!

I hurried into the garden in my pyjamas but there was no sign of the combatants. Then the spitting and cawing started again from the top of the garden. I hurtled to Grip’s defence – but there was no need! A big mangy cat raced past me with a bloodied face – never to return. And there was Grip nonchalantly preening himself perched on the bank that separated the lawn from the veggie garden.

Our cat Schuby was a grateful beneficiary of this formidable spat as the stray cat had been a troublesome interloper for some time!

To be continued ……… 

Peter M Butler
Editor & Proprietor Jazz&Jazz

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