Wales-based FiddleBop plays Gypsy Jazz updated!
On violin, Spanish guitar, keyboard, and fretless bass.
“And we sing too, with four voices in harmony.“

FiddleBop’s jazz is sophisticated yet never pretentious or stuffy. It’s danceable but not rhythmically bland. Has plenty of improvised solos
but is tuneful and melodic.

We play jazz that’s drawn from all of the genres’ century-long history. Look forward to our unique beggars-in-velvet treatment of get-up-and-dance jazz from the 1920s (when “jazz was king”), 1930s chilli-hot swing, and bop and cool post-bop. Also jazz-flavoured classic pop, some folk-jazz, as well as our very own creations. All with Gypsy zing and passion!

Gypsy Jazz-Zing: Updated

Yes, FiddleBop plays Gypsy jazz – which was jointly created by Django Reinhardt and Stephane Grappelli in 1930s Paris — updated for the 2020s.

And the “jazz-zing” bit? That’s the pizzazz and excitement that comes from loving what we play! And from being (ahem!) pretty good musicians.

All of which is why – please excuse us, we’re about to blow our own trumpet (and mix our own metaphors) – audiences love FiddleBop’s unique gypsy-tinged flavour of jazz music. Music which can be sweet, chilled, yet even mysterious at times. Such as:

• our delicate instrumental explorations of the great John Coltrane’s exquisite “Naima”
• our bluesy takes of Thelonious Monk’s “Round Midnight” and “Well, You Needn’t”
• classic cool jazz by Miles Davis. “So What”!
• FiddleBop’s nostalgic close-harmony vocals in Paul McCartney’s “Here, There, and Everywhere” and Irving Berlin’s “Cheek to Cheek”
• jazz-favoured folk tunes including “O Give Me Your Hand” written c. 1603 by harpist Ruairdi Dáll Ó Catháin
• Jo’s poetic late-night-smoky-bar “Thirteen-and-a-half Days In The Desert”, and Paul’s sea-soliloquy “Sailing All Alone”.

Also music which, with its roots in the fiery Gypsy jazz tradition, is hot unto cooking. FiddleBop will get your feet stomping and your heart thumping (in a good way, of course) during:

• “The Charleston” from the early days of jazz;
• Traditional Gypsy jazz tunes: “Minor Swing” “Dark Eyes”, and the more modern “Swing Gitan”;
• Gypsy jazz staples such as “Dinah”, “Bei Mir Bistdu Shein”, and “Sweet Georgia Brown”;
• Irish reel “Drowsy Maggie” and East European rouser “Odessa Bulgar”;
• Duke Ellington’s classic “It Don’t Mean a Thing”;
• the John Coltrane Quartet’s interpretation of “My Favourite Things”;
• FiddleBop’s very own searing take on Dizzy Gillespie’s “A Night In Tunisia”. Yaaay!

FiddleBop is:

• Joanna Davies (Spanish guitar and vocals)
• Dave Favis-Mortlock (violin, flute and vocals)
• Paul Stevens (keyboard and vocals)
• Graeme Lamble (fretless bass guitar and vocals)

So how about having FiddleBop liven up your next event or party with some “Gypsy jazzing: updated”? We’re friendly, we don’t bite, and we cost less than you might think.

Why not check us out? Simply email us or phone us (01982 560726 / 07968 950870) for a quote.

Here it is! The first FiddleBop newsletter since July 2019! A surprise, we’re sure! And we hope that it is a good one.

So… after a gap of nearly two years, how have you been? Whatever your story, here’s hoping that things have been OK for you. And that right now, you are well and happy.

OK. Maybe you’re not exactly thriving, and maybe you’re not exactly riotously mirthful (tho’ we’re pleased if you are). Because who is feeling great and who is doing brilliantly right now? (Excuse me while I turn off the lights and write this in the dark to save electricity. Also so that I can avert my eyes from UK and world news…).

Enough gloom! Let’s catch up with the FiddleBop news.

And you’ll surely recall that FiddleBop version 1 — very sadly — came to an end shortly after we moved to Wales. Boo-hoo!

Yet just as the glorious phoenix rises from its own ashes, FiddleBop version 2 arose! Glittering in the sun and better than ever! Still comprising Jo and Dave, but now with keyboard wizard Paul Stevens and superb fretless bassist Graeme Lamble. (Don’t worry if you can’t remember all this. We won’t be testing you.)

So FiddleBop v2 got ready. We built up our new repertoire, got to know each other better, then did some local gigs and began work on a recording. All was looking good. And then along came Covid!!!.

We in FiddleBop all survived, which is the main thing. But the recording which we had started (in the very capable hands of friend Baze) ground to a locked-down halt. And – of course – we could not do any gigs. Which is a problem for an improvising band like FiddleBop, which thrives and grows from the excitement and interaction of live performances. So whenever we safely could, we kept our spirits up with the occasional socially-distanced practice. Some indoors and some outdoors, amongst those glorious green hills that I mentioned earlier. One of the best things about living here!

Also it was time for some musical rethinking. Nothing too profound! But some thoughts re what could we categorise ourselves as? (“Gypsy jazz-folk” maybe? Hah, too clumsy probably! Got any ideas?) And more thoughts (my head hurts!) about the future musical directions for FiddleBop. There was time too, to patch up some of our battered, much-gigged equipment. And to tinker with the FiddleBop website. Like it?

Jo and Dave started learning Welsh, too. Dyn ni’n mwynhau dysgu Cymraeg, ond mae hi’n yn araf…

Oh, and Dave cheered himself up by getting a new fiddle. Well, not exactly new. This is the acoustic violin (German?) that Dave had played for many years, as far back as the Rollright Stones and Mortlock and Underwood. (This fiddle has had a hard life. The neck fell off it once: fellow fiddler Chris Leslie very kindly glued it back on.) During lockdown, Richard (“Titch”) from Sonic Violins converted this violin to an electric instrument. All done in a socially-distanced way, using emails and delivery services! Dave is very happy with his new toy.

So eventually, at last, in late summer 2021 we were once again able to play a few gigs. Yaaay! What a relief!

Later in the year, Paul the keyboard had his beard (an impressive one, grown throughout lockdown) and his hair shaved for charity. Take a look at the video! Then came the winter, and the resurgence of Covid. We all hunkered down again — Paul feeling a bit chilly, minus hair — and waited for spring.

And here we are now, in April 2022, once more crawling out from under our stone! We’ve moved on with our recording so expect to hear more about that “real soon now”. In the next FiddleBop newsletter, probably.

Right now our calendar holds three festival gigs for FiddleBop during the coming summer: one (almost) in Wales, two in England.

If you can get get to Hay-on-Wye, Herefordshire, on Thursday 2 June, we are playing at 5.15 pm on The Stage venue in the “HowTheLightGetsIn” festival. This is “the world’s largest Music and Philosophy Festival on the idyllic bank of the River Wye”. World-class speakers and great music (including FiddleBop!) make this a fascinating weekend, one that you won’t forget. So why not treat yourself and come along? Festival tickets are available here.

Next in line, on Saturday 11 June, is the “Party in the Park” Festival in Adderbury, Oxfordshire. FiddleBop are playing at 7.30 pm in the Acoustic Tent. We’ve played here before, a couple of times, with FiddleBop v1. Always a great atmosphere and some really good music too! “Party in the Park” starts at 1.30 pm. Adult tickets are £15 (£20 on the day), age 5-16 are £8, under 5s are free. See you there?

And our third festival this year – so far, anyway – is Hook Norton’s “Music at the Crossroads” on Sunday 3 July. We love playing “jazz with Gypsy zing” at MAC! We’ve made music here many times over the years (again, with FiddleBop v1) and it has always been oodles of fun! This year, for the first time, there is an “acoustic day” on the Sunday, which is free entry. And Pete Watkins has some fine music planned! FiddleBop are on stage at 2 pm. We’d love to see you at MAC 2022!

Finally, if you are nearer the Welsh end of things, you might be interested in FiddleBop’s occasional experimental mini-gigs (or should that be “public practices”?) in the back room of the Brecon Tap pub. (Which is in Brecon: yes, you guessed it!) So far, we haven’t publicised these, but in future, look out for details on FiddleBop’s Facebook page.

Thank you! And OK, that’s the lot for now. Stay well, and all the best! And don’t get too gloomy:

“Receive what cheer you may; the night is long that never finds the day.” (Will Shakespeare: Macbeth)

Dave

“Many millions have been grateful to know what Jesus and his family went through – what Ukrainian refugees now endure. God PERMITS the Herods and the Putins victories only to bring a greater good.

“No Anxiety” – that does not mean ‘Be Stoic’ – no feeling. It means enduring the feeling and the sense of panic, like anyone in danger but never surrendering. Finding ways to combat the panic. Joseph is the obvious example here. He was sitting pretty. All the anxieties about how to deal with a miraculous conception behind him, he had a home with Mary installed, her parents nearby, all set for the coming of the child.

“He never knew that a Dictator some 2000 miles away had sent orders about a “Poll Tax”! Joseph and Mary had to get down fast to Bethlehem or the soldiers would want to know why. All Joseph’s peace was shattered – Jesus born more or less in a ditch, like a tinker’s child. Then the order came not to go home but to become an overnight refugee in a desert and another country. To find a job and lodgings. Sounds familiar?
To say “Don’t Worry” to Joseph would have been stupid and callous.

“Since then many millions have been grateful to know what Jesus and his family had gone through – what Ukrainian refugees are now enduring. But “No Anxiety” means awareness that God PERMITS the Herods (and the Putins) victories only to bring about a greater good – even in this life – and most certainly in the ‘FOREVER LIFE’ to which the only condition is “Were you kind to anybody in need”?

“We face the possibility of war – and a likely financial collapse, where people in your neighbourhood could have to choose between food or heat. Covid hasn’t gone away.

“Was Christ anxious? As we approach Holy Week, ponder on the suffering Christ, who died on the Cross and rose in triumph.
Hang on to the fact of the Resurrection.”

YouTube courtesy of John Petters (Drums), Richard Exall (Clarinet, Sax),
Pete Rudeforth (Trumpet), Keith Donald (Bass), plus Ace Harlem Stride Pianist, Dave Browning.