The Golden Eagle Jazz Band at Hemsby and Ramsgate

 

HemsbyWx

The Golden Eagles at Hemsby, September, 2013: Kevin Scott (Leader/Banjo); Roy Stokes (Trombone); Mick Scroxton (Trumpet); Alan Cresswell (Clarinet); Pete Jackman (Drums); Mike Broad (Bass).

Always popular at UK festivals, it was The Golden Eagle Jazz Band’s joyfully dynamic performance at the 2013 Autumn Jazz Parade in Hemsby, Norfolk, that clinched their booking with Ramsgate Seaside Shuffle.

Ramsgate Seaside Shuffle Jazz Club
Now entering it’s fourth year, the Shuffle is bringing New Orleans jazz back to Ramsgate, on the remote south east corner of Kent. It all began with The Ramsgate Seaside Shuffle Festival in July, 2011. Now, not only has the festival become an annual fixture, but the Seaside Shuffle Jazz Club meets monthly and welcomes local Kent based bands and bands from all over the UK and beyond.

Atmospherics
The Golden Eagle Jazz Band led by Kevin Scott always deliver top dollar entertainment and their Seaside Shuffle gig was no exception. The one sure sign of a good jazz band and an enthusiastic Jazz Club is the atmospherics between the band and the fans as is demonstrated in my following YouTubes. Be sure to listen out for one very special fan!

The Ramsgate Seaside Shuffle Committee is to be congratulated for sticking with it through thick and thin to establish a viable club in these very lean times for New Orleans Jazz.

Peter M Butler
Jazz&Jazz Editor & Proprietor

Please Note: You should find the YouTubes of a superior quality to the norm. This is due to the recently launched innovative Sony Karl Zeiss “Lens Camera” linked by local WiFi to my iPhone. Discreet but powerful. Kevin Scott emailed me: “The quality of the video is amazing and I’m very pleased with how the song came over. Please feel free to publish anything you want. Thank you for all your hard work in promoting jazz, and for what you do for bands. It is greatly appreciated.”

The YouTubes:

 

“Canal Street Blues”: http://youtu.be/qgFiitCqsKk

“When I Grow Too Old To Dream”: http://youtu.be/PdNs-KlxbuI

Ramsgate Seaside Shuffle – Capturing the Jazz Club Atmosphere : http://youtu.be/Jdiu87_mL3I

Hot Jazz with Canine Acclaim at Ramsgate Seaside Shuffle : http://youtu.be/sDZAeo4GYq0 

 

The End-Of-The-Line at The 100 Club

The Band: Ben Martyn (bass), Emile Martyn (dms), Adrian Cox (clt); Ged Hone (tmp), Mike Pointon (tmb), Tony Pitt (bjo); Ray Smith (pno)

The Band: Ben Martyn (bass), Emile Martyn (dms), Adrian Cox (clt); Ged Hone (tmp), Mike Pointon (tmb), Tony Pitt (bjo); Ray Smith (pno)

Pathos, Pity and Passion swept through The 100 Club on a recent bleak December day, leaving fans wondering what tomorrow will bring for touring and visiting jazz bands in London. It was the end of a long era of Thursday lunchtime jazz organised by Kay and Tony Leppard. So I’ve left it to Tony to sum up this historic occasion in, as usual, his modest and unassuming manner. 

Tony and Kay, rather than feeling gutted, fans should be so grateful to you both for all you have done for jazz in Central London for so many years. After all, as Kay recently put it, the closing event certainly “brought them out of the woodwork”.

Band6

So over to Tony:

End-Of-The-Line At The 100 Club!

 

More than 200 people crammed into The 100 Club on 12 December for the final Shooting Star
Lunchtime Jazz session, and what a treat was in store for them.

The band – Ged Hone, Adrian Cox, Mike Pointon, Ray Smith, Tony Pitt, Ben Martyn and Emile Martyn – was “on fire” from the first number and served up two hours of wonderful
New Orleans music.

Laced with a couple of ragtime pieces from Ray Smith, a cameo appearance by Alan Robinson for a clarinet duet with Adrian Cox on ‘Over the Waves’, a lovely Ged Hone/Ray Smith duet on ‘Davenport Blues’ and a few words from long-time club promoter Roger Horton, together with
Mike Pointon’s interesting and amusing anecdotes between numbers, this was a magical experience that we shall all savour for many years to come.

Tony Leppard

Band2

So, Tony, I suppose that now the 100 Club fans will, in the words of the song, just have to “Sit around and wonder what tomorrow will bring”, hoping that someone may even take up the cudgels!

But I cannot let such an even pass without a good selection of photographs for posterity. My good friend and jazz compatriot Lawrence Cumming took the superb stills of the band and the fans plus one of me for pot luck. Because thoughout the session I flitted here and there taking movies of the band and posting them on YouTube.

But you’ll have to forgive me for the somewhat dubious quality because, as I explain on YouTube, The 100 Club, and especially a crowded 100 Club, is not the best place for filming, given the packed seating, the jostling fans and the position of the two pillars which split the stage into three visual sections. So there was a degree of dodging, ducking and diving which shows up on the videos – yet accompanied by some great close ups. Come what may, here they are:

Joyous Jazz at the Last Ever 100 Club Thursday Midday Gig:  http://youtu.be/rTAK0DgZVn0

“Sweet Lorraine”:   http://youtu.be/XMQzqezLX2k

“Postman’s Lament”:  http://youtu.be/3CHmqrRXPuc

“The Glory of Love”:  http://youtu.be/b3w6BFjFUZc

Dancing in The 100 Club:  http://youtu.be/WvV6sE7ngyQ

A Tribute to George Buck:  http://youtu.be/HMckaOUuPxU


And Lawrence’s brilliant photographs:

Tony Pitt

Tony Pitt

Mike Pointon

Mike Pointon

Adrian Cox

Adrian Cox

 

 

 

 

 

 

Making space!

Making space!

Emile Martyn (plus extinguisher in case drums overheat!)

Emile Martyn (plus extinguisher in case drums overheat!)

 

 

 

 

 

 

 

 

Ben Martyn

Ben Martyn

Adrian Cox and Alan Robinson

Adrian Cox and Alan Robinson

 

 

 

 

 

 

 

 

 

Ray Smith Master or the Ivories

Ray Smith Master or the Ivories

Ged Hone

Ged Hone

 

 

 

 

 

 

 

 

Promoter Roger Horton giving a brief history of The 100 Club.

Promoter Roger Horton giving a brief history of The 100 Club.

"Last Chance Saloon": eager fans queuing for the best seats

“Last Chance Saloon”: eager fans queuing for the best seats

 

 

 

 

 

 

 

Proud Uncle Emile with Ben & Eryn's beautiful new born daughter Lorelai making her very first stage debut!

Proud Uncle Emile with Ben & Eryn’s beautiful new born daughter Lorelai making her very first stage debut!

Yours truly attempting to film  for YouTubes on Jazz&Jazz

Yours truly attempting to film for YouTubes on Jazz&Jazz

 

 

 

 

 

 

 

 

 

 

The Iconic 100 Club!

The Iconic 100 Club!

 (Photos courtesy of Lawrence Cumming © Peter M Butler, Jazz&Jazz)

Xmas at The Peartree with Dennis Vick’s Fenny Stompers

Get down two The Peartree, Welwyn Garden City, this coming Monday, 16th December for a Hootenanny of Christmas Party with Dennis Vick’s Fenny Stompers starring Richard Leach on trombone and Paul Roberts on trumpet.

XmasFennyFlyer

Click on the image to enlarge

Cold Wet and Sockless? Entertaining Nevertheless!

WeaveSextet

The Weave. L to R: Rob Stringer (Piano); Tony Peers (Trumpet); Hugo Harrison (Double Bass); Tilo Pirnbaum (Drums); Tony Ormesher (Guitar); Martin Smith (Leader/Trumpet)

 

The Weave is a Liverpool based Jazz Sextet which veers more towards modern jazz, but with their own entertaining, exuberant and amusing twist as demonstrated in their  video, “Cold Wet and Sockless”. 

Led by trumpeter/composer Martin Smith, this is Scouse Jazz with a difference.

One review infers that The Weave “can be Satchmo-like … you can easily picture yourself sitting in a dark and smokey American jazz club. This is no wonder, since the two trumpeters have played in a New Orleans-style band for some years.”

So fellow Jazzers, they may not be the full monty when it comes to New Orleans Revivalist Jazz, but they are for entertainment value and you may well enjoy “Cold, Wet and Sockless”.

Discover more about The Weave on their excellent website.

Thank you Weave Admirer, Derek “Degsy” Lovelady, for introducing us to The Weave.

George Buck, Jazzology Founder, Passes Away Aged 84

g_buck

I will never forget those magical steps my wife and I took up the staircase from the Palm Court Jazz Café to George Buck’s Jazzology premises back in 2010. It was a brief but impressive visit, surrounded as we were by his lifetime’s work.

So much so that I feel impelled to include on Jazz&Jazz Lars Edegran’s obituary to George posted on JazzNorthWest, along with the touching eulogies.

One passage from the obituary I find especially striking, given, as some would put it, the parlous state of jazz today:

“Very few people get to spend their lives doing what most of us dream about- George Buck was able to make a living from a music most people eke out a living at- no one in his right mind would try to make a living from a music thought to be extinct about the time he started his label. He kept his firm running successfully for over sixty years and had a lot of fun doing it.”

This inspires me all the more in my efforts through Jazz&Jazz to make that essential difference to achieve a New Orleans Jazz revival.

Peter M Butler
Editor & Proprietor, Jazz&Jazz

Introducing Canada’s Incredible “Eighth Street Orchestra”!

Eight Street Orchestra in Concert

Yesterday I received a wonderful email from Canada about The Eighth Street Orchestra, based in Owen Sound, 220 kilometres north west of Toronto. Ever heard of them? If not, you have now! The email was from Band Leader, Gary Lawrence Murphy. He wrote:

“Your About page didn’t say how you found out about new jazz bands, but on discovering your pages via the Toronto area trad jazz group on Facebook, and in the spirit of “exuberant smaller bands” and especially young players, I thought I might invite you to check out our facebook.com/eighthstreetorchestra page where we post our day-to-day happenings with our band of mostly 15-16 year old players (plus a few others who’ve gravitated to our exuberance). I hope you enjoy it!”

Swinging Along with Happy Jazz
Enjoy it, Gary? You bet I did! The Eighth Street Orchestra fits right in with my “About Jazz&Jazz” declaration to “focus on the vitality of younger, emerging stars and on the inexhaustible exuberance of smaller bands on the jazz circuit.” Under the heading “Jazz Fans” I go on to say: “JazzandJazz aims to become a force for jazz by galvanising jazz fans everywhere into a trad jazz revival and by helping to win over a younger generation of fans to swing along with happy jazz.”

Eighth Street most certainly meets and surpasses all of those criteria! They swing along with happy jazz right out on the peninsular that divides Georgian Bay from Lake Huron. As Gary puts it, “out on the edge of cottage country really”. There is an argument that nowadays the only chance of live jazz surviving is in city zones where there are nuclei of fans. Eighth Street most certainly scuppers that!

Breathing New Life into a Jazz Revival
So thank you, Gary, for introducing me and the increasing number of jazzers following my site, to the 15-16 year old players (plus “those few others who have gravitated to your exuberance”) who form The Eighth Street Orchestra.

This is a breath of fresh air! The kind of fresh air that can breath new life into New Orleans Revivalist Jazz!

I am proud to feature The Eighth Street Orchestra on Jazz&Jazz! So Jazzers, be sure to visit and “like” their Facebook page. For me it is solid evidence that I appear to be achieving what I set out to achieve when I launched Jazz&Jazz.

The photos, courtesy of Eighth Street Orchestra, demonstrate the bands diversity.

Eighth Street Links:
News & Video: facebook.com/eighthstreetorchestra
Blog: EighthStreetOrchestra.blogspot.ca
YouTube: youtube.com/user/8thStreet

Gary Lawrence Murphy

Latest update from Devonshire’s Live Jazz Hotspot!

Plymouth Jazz Club’s

 

January / February 2014 Programme

John Shillito’s Select 6

Tuesday, December 31st at 8.30pm.

Annual New Year’s Eve Party with John Shillito’s Select 6
Derriford United Reform Church Hall, Powisland Drive, Derriford, Plymouth PL6 6AB.
Hot swinging music from 8.30pm until 12.30am, doors open 8.00pm.

Dancing, tea, coffee & mince pies with clotted cream. No bar, bring your own food and drink.

Admission by ticket only. Visitors £12, Members £10, Full-time Students £5.

Tel: 01752 721179

The Sussex Jazz Kings

Sunday, January 19th at 7.30pm

The Sussex Jazz Kings

The Royal British Legion Club, Tailyour Road, Crownhill, Plymouth PL6 5DH
Quality traditional jazz with a touch of fun from a popular long-established band.

Admission £9 (Members £7, Full-Time Students £5)

Tickets on the door.

Tel: 01752 721179 or 01752 774343

The Dave Hankin Big Band

Sunday, February 2nd at 7.30pm
Charity gig in aid of MacMillan Cancer Support

The Dave Hankin Big Band

Probably the finest jazz and swing band in the South-West giving their services free for the charity event.

The Royal British Legion Club, Tailyour Road, Crownhill, Plymouth PL6 5DH

Admission £9 (Members £7, Full-Time Students £5)

All ticket income goes to the Charity

Tickets on the door

Tel: 01752 721179 or 01752 774343

The Savannah Jazz Band

Sunday, February 16th at 7.30pm

Savannah Jazz Band

The Royal British Legion Club, Tailyour Road, Crownhill, Plymouth PL6 5DH

The annual visit of one of Britain’s most popular traditional jazz bands

Admission £10 (Members £8, Full-Time Students £5)

Tickets on the door

Tel: 01752 721179 or 01752 774343

Mellifluous Festive Frollicks at Tad Newton’s Christmas Jazz Party

Tad Newton’s JazzFriends

We are pleased to share in the promotion of Tad Newton’s annual Christmas Jazz Party at The Walnut, Blisworth, Northants. 

Tad’s motto, “LIVE JAZZ … USE IT OR LOSE IT!” echoes the aims of Jazz&Jazz in reaching out to potential fans of all ages rather than simply sitting at home mulling over youtubes of past glories. So if you are close enough to Blisworth on Sunday, 22nd December, don’t be an armchair fan, get along to Tad’s grand Xmas session of live jazz. Get into the party mood at The Walnut.

Roy Williams

Denise Gordon

 

 

 

 

 

 

 

 

Zoltan Sagi

 

 

Live Jazz at The Peartree, Catching that Magical Jazz Club Atmosphere

If you love real jazz, original jazz from The Crescent City, New Orleans Revivalist Jazz, then you’ll simply revel in this youtube of Brian Carrick’s Algiers Stompers, guesting Trefor Williams on bass, at the Peartree Jazz Club, Welwyn Garden City, on Monday, 18th October.

Just click on this link:

Brian Carrick’s Algiers Stompers with Trefor Williams 

Trefor Williams

It’s just one of a full repertoire of New Orleans Classics performed that evening for Peartree fans by one of the UK’s leading jazz bands and it resonates with that magical jazz club atmosphere loved by jazz fans over the years.

Plus this is a new dimension for the site – youtubes of movies discretely videoed at jazz gigs covered by Jazz&Jazz on our travels around the clubs and festivals.

Be sure to watch out for forthcoming events at The Peartree Jazz Club. Especially their Christmas Gig with Dennis Vick’s Fenny Stompers on Monday, 16th December. Be sure to arrive at 6.30 sharp for a party evening of jazz, crackers and fun.

(Photos and YouTube © Peter M Butler, Jazz&Jazz)

Aged Audiences Might Be Dwindling, but Jazz Lives On!

I’m sure Fred Burnett won’t mind me cribbing this extract from an item included in his latest JazzNorthWest News Update. It’s highly pertinent to discussions I’ve recently been involved in down south.

Courtesy of JazzNorthWest

“I’ve always advocated midweek daytime jazz as a way of hanging on to the current clientele at jazz sessions as it becomes more difficult for people to venture out at night as they get older. Although it was pointed out to me that it effectively excluded young people from attending, I have to say I haven’t noticed them falling over each other to get into the current sessions at night. One band that is discovering that a midweek lunchtime jazz session can become increasingly successful is Mike Lovell with his Six in a Bar Classic Jazz Band. The North Euston Hotel in Fleetwood has just extended their residency to June 2014. The next event is on 18th December at 12 noon.”

I would be very interested in any views which fellow Jazzers might have on this, as I’m sure Fred would too.

End of The Road

Another related  item in Fred’s News Update, which I’m sure he won’t mind me sharing, concerns the end of the road for Thursday lunchtime jazz at The 100 Club:

“Reading Just Jazz, I see that it’s the end of the line for regular traditional jazz events  at The 100 Club in Oxford Street, London. Kay & Tony Leppard have been keeping up a tradition of regular monthly jazz at the club which first started in 1949. On 12th December they have arranged for the last gig there under the guise of the End-of-the-Line Jazz Band and featuring some great names including North West’s own Ged Hone. Doors open at 11.30am and apparently the chairs at the club have been slowly dwindling and if you can’t get there early there’s a suggestion you take you own seats. Could come in useful too if you’re waiting for a bus amongst all the Christmas shoppers! There will of course be benefit nights, tributes and memorials there for years to come.”

New Beginnings

I featured this recently on Jazz&Jazz: “Jazz at The 100 Club Faces Sad Demise”  but did conclude with a few words of encouragement:We are not at the end of the jazz age. There are new beginnings. Jazz lives on and one of my key aims as editor and moderator of Jazz&Jazz along with my Facebook Jazzers Group is to … unify jazz fans, musicians and bands of all ages.”

The Rich Bennett Band is just one of an emerging number of new bands giving hope to those new beginnings. I featured their recent red hot session at The 100 Club: “They Came, They Saw, They Conquered … All in the Nick of Time!” . Several similar bands full of zest and vibrancy of are featured on Jazz&Jazz and I intend to cover more of them as and when the opportunity arrises.

The Rich Bennett Band at The 100 Club (Photo © Peter M Butler, Jazz&Jazz)

I’ve said before and I’ll say it again: If older fans love jazz so much why miss out? Why not get along to join in with the younger fans at their venues? And in turn, why not encourage and welcome the younger bands to play at and liven up our staid old clubs?

That would be far better than sitting back and mulling over the past by simply viewing the plethora of YouTubes featuring yesterday’s greats, vital though they are to jazz, featured on various Facebook Jazz Groups including just recently my Jazzers Group. Please forgive my impertinence, but to me that’s little more than burying our heads in the sands of time rather than reaching out for the future of jazz.

“The Old Hat Band” – “Not so old hat but a talented young group – all in their twenties” Just one more of our emerging younger groups. (Photo courtesy of Laurence Cumming)

I cannot conclude this blog without again thanking Kay and Tony Leppard for presenting live jazz at The 100 Club though thick and thin for so long. Don’t forget, they are both still heavily involved in promoting jazz at The Winning Post in Twickenham – including the emerging new era of younger bands.

Peter Mark Butler
Editor and Proprietor of Jazz&Jazz 

Note: A message to the musicians and bands I’ve been discussing potentials with recently – bear with me, I’ll get back to you asap on this.

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