Portrait Commission – “Take it Away, Ray!”

Hemsby Jam Session, 2010

Ray’s highly popular 2011 Hemsby Autumn Parade Jam Session

Ray Colyer is a mainstay of the East Kent jazz scene, where we were both involved in helping launch the UK’s latest and successful Jazz Festival, Ramsgate Seaside Shuffle, back in 2011. We have since become close friends and join forces annually at the Hemsby, Norfolk, Autumn Jazz Parade.

Ray isn’t only a jazz fan, he is also a darn good trumpeter and vocalist too and plays with several bands at each and every opportunity. So much so that when he led a small group of enthusiasts in a spontaneous jam session at the 2011 Autumn Jazz Parade, they got a following all of their own and by popular demand were “booked” to perform the next day as well. Mind you, they were reinforced by “Anything Goes” clarinetist and saxophonist Laurie Fray who played
some mean solos during the sessions.

“Take it away, Ray” Portrait by Peter M Butler commissioned by Ray Colyer.

Ray asked me if I could paint a jazz portrait of him on trumpet. I was delighted to accept the commission and chose to portray him playing at the Hemsby jam sessions. So above is my portrait of Ray taking it away.

Commissions and Costs
It is essential that I do more, as a matter of urgency, to cover the growing costs (travel, charges, fees etc etc) of featuring jazz bands, musicians, clubs and festivals on Jazz&Jazz and of the publicity and support I hope it offers to the cause of jazz. So it goes without saying that I’m always prepared to consider commissions as well as selling original portraits and fine art Giclée prints which I produce myself. I would much rather this than request donations towards the cause. But I really must express my appreciation for a number of clubs who are contributing annually to the costs in appreciation of Jazz&Jazz featuring their events.

Fine Art Giclée Prints of this portrait are available, with or without my descriptive poem. Simply email: [email protected] to place your order and help support jazz.

Fans Fill Tremé’s Candlelight Lounge

Just a section of the Treme Band and guest musicians. “Congestion” restricted my full focal view. (Photo by P.M. Butler, Jazz&Jazz)

One of the most spontaneous and exciting jazz gigs I have ever witnessed was at The Candlelight Lounge in Tremé, New Orleans. Every Wednesday night at this cradle of jazz, The Tremé Brass Band plays for free. What’s more, there’s free red beans and rice before the show starts.

On that magical night during the 2010 Ken Colyer Trust French Quarter Festival Tour, a host of ardent fans from around the world, all packed in like sardines, witnessed a spectacle never to be forgotten. The show began at 9.30 sharp with just seven playing. Then more joined in. Then more… then even more, as musicians from around the world joined in with the Tremé band. Three trumpeters, three clarinets, two drummers, three sousaphones, at least two banjos and trombones – after a while I lost count but altogether there must have been at least 30 musicians crowded onto that tiny stage.

And in the narrow space between the audience and the band, dancers of all shapes and sizes strutted their stuff so vigourously that Barry Price and I, seated in the front row, moved back a row for safety lest we should have been toppled like dominoes! Such was the melee that I couldn’t quite wield my camera to full effect and got fewer shots than I would have liked.

Band leader Kenneth Terry lets rip on trumpet. (Photo by P.M. Butler, Jazz&Jazz)

“Uncle” Lionel Batiste on drums strove to maintain a calming influence but how trumpeter Kenneth Terry held the host together was beyond me.

I had heard said from a very reliable source that Jools Holland, along with Sammy Rimington and a couple of other jazz musicians, put on a totally unannounced impromptu jam session during a meal in a pub in deepest Kent not so many months ago. So whilst still reeling during that evening at The Candlelight Lounge, it struck me what wonders it could do for a massive jazz revival if Jools could feature such a spectacle on his “Later with Jools Holland” BBC2 spectacular. It could instil the same kind of inspiration for young jazz musicians as does the Tremé experience.

Peter M Butler
Editor Jazz&Jazz

Rance’s Rockin’ Chair Band

Rance’s Rockin’ Chair Band. Jazz painting commissioned by Dave Rance.

I got to talking to Dave Rance the very first time I went to one of his Rockin’ Chair Band’s gigs. Dave is as colourful a character as jazz band leaders come, and his contagious vitality and exuberance is reflected in his band’s performances. I had asked if I could take a number of photographs of the band and when I showed him samples of my jazz portraits, not only did he agree, but he commissioned a jazz painting of the band.

Dave describes his Bedfordshire based band as “a little different from the usual jazz bands, often amusing but always entertaining!” And that it most certainly is. Their performance of “Me and Jane in a Plane” is a sight to behold with “Captain” Brian Webb in pilot’s gear diving and zooming on trombone.

Dave himself, phosphorescently attired as the “Earl of Flitwick” in a multi coloured waistcoat that would put Joseph’s dream coat to shame, gives live wire performances on trumpet, cornet and flugel horn besides slipping in the odd vocal.

Then there’s Derek “Green Fingers” Scofield on sax and clarinet, Henry “Asbo” Harrison of erstwhile “Winchester Cathedral” Gold Disc fame on drums, “Reverend” Mike Brewerton on bass, Doug “Hari Kari” Parry on banjo and John “Prince of Darkness” Bartlett who plays a wild guitar.

My acrylic jazz painting of the band simply had to be in the style of a caricature and when I presented it to Dave he immediately had a quantity of prints made to publicise the band, but that’s as it should be.

Dave Rance can be contacted on: 01525 712359 / 07714 766158; or by email at: [email protected]

Hand signed, fine art prints of my jazz painting of “Rance’s Rockin’ Chair Band” can be purchased in two sizes:

A4 (297x210mm) £29.00
A3 (420x297mm) £39.00

A Certificate of Authenticity is issued with each print. If you would like to purchase a print or an original acrylic portrait or to commission a portrait, please email me at: [email protected]

 

 

Bob Thomas & The Thomcats

"Bob Thomas on Trumpet" Acrylic jazz portrait commission by Peter M Butler.

I chose Hertfordshire based Bob Thomas & The Thomcats amongst the first group of bands to feature on JazzandJazz.com not only because Bob is a good friend who lives in the same village as me, but because he has a jazz pedigree reaching way back.

Bob purchased a trumpet from Pat Halcox, Chris Barber’s trumpeter, who gave him private lessons. To this day Bob laments the theft of that trumpet from his car, especially as it was a Doc Severinson. In those early days Bob played with a number of top bands and rubbed shoulders with the likes of Acker Bilk and Terry Lightfoot. He featured regularly on Thames jazz cruises at Windsor and Maidenhead, mainly with Len’s Seattle Six band. The tales he has to tell about those cruises are classics.

Bob Thomas, trumpet, Tim Curtis, sousaphone, and Gordon Rushden, trombone, at a gig at The Long Arm & Short Arm in Lemsford, Hertfordshire. (Jazz Photo by P.M.Butler)

Bob recently celebrated his 80th birthday and like so many jazz musicians he is still going strong. He formed The Thomcats in 2000 since when they have entertained thousands with the pizzazz, rhythm and harmony of their “happy jazz”.

Their repertoire swings along to very best of New Orleans and Trad Jazz through to contemporary favourites. Their numbers include masterpieces by great composers and performers such as Louis Armstrong, King Oliver, Jelly Roll Morton, Count Basie and Duke Ellington – plus compositions by George and Ira Gershwin, Cole Porter, Jerome Kern, Hoagy Carmichael and Antonio Carlos Jobim.

My wife and I are pleased to have produced a brochure and flyer for The Thomcats using a selection of my jazz photographs taken as reference material for my jazz portraits of Bob on trumpet, his drummer Pat, banjo player Roger and Tim on sousaphone.

You can reach Bob by email at: [email protected]

Download the PDF brochure: Bob Thomas & The Thomcats

Hand signed, fine art prints of my Art & Verse jazz portrait of Bob Thomas can be purchased in two sizes:

A4 (297x210mm) £29.00
A3 (420x297mm) £39.00

A Certificate of Authenticity is issued with each print. If you would like to purchase a print or an original acrylic portrait or to commission a portrait, please email me at: [email protected]


 

Sammy Rimington’s International Band

Sammy Rimington Jnr shoulder to shoulder with his famous father in a concert with his New Orleans All Star Band at Chilham, Kent, on 6 February, 2010. (Photo by P.M.Butler, Art&Verse)

Back in 1959 Sammy Rimington played with Barry Martyn’s band. His spectacular jazz career as a professional musician with Ken Colyer’s band started in 1960. In those years my lifelong friend Roger followed his gigs in Kent so when Sammy was booked to appear with his International Jazz Band at the 2008 Ken Colyer Trust Hemsby Autumn Jazz Festival in Norfolk, it didn’t take much persuading for me to join Roger at the festival.

Since then I’ve made a point of keeping up with Sammy, who now lives in Sweden, and his International Jazz Band during their UK winter tours. His concerts of Hymns and Spirituals in the New Orleans Style at Folkestone’s United Reformed Church have been nothing short of inspirational and his Trad Jazz gigs at Chilham Village Hall always pack in the fans.

Trefor Williams on bass, Eric Webster on banjo, Emile van Pelt on piano, Frederic John on trombone and Keith Minter on drums are all jazz virtuosos in their own right but to quote The New York Times: “Sammy Rimington’s playing demonstrates the clarinet’s matchless range of funky virtuosity, which makes jazz’s past as real as its future.”

And indeed, Sammy is every bit as dedicated to the future of jazz as he is to continually surpassing his own brilliance. I witnessed this for myself at the 2008 Hemsby Festival when he invited emerging star Amy Roberts, then barely 19, onto the stage to accompany him in a saxophone duet. The next morning I overheard him stressing the need to to persuade Amy to stay with jazz: “Amy’s got a natural talent and feel for the music. She’s got rhythm. She’s the future of jazz.”

Some accolade from a legend of jazz who has performed with Louis Nelson, Big Jim Robinson, Chris Barber, Kid Thomas Valentine and Captain John Handy.

I count it a privilege to have painted a portrait of Sammy in duet with Amy and indeed, portraits of each member of the International Jazz Band. Trefor Williams paid me a huge compliment:

“What a pleasant surprise to receive your portrait of me. I’m very flattered that you considered me a worthy subject. Thank you for devoting your time and talent. It’s a very thoughtful study and the words are very touching. May God continue to bless you and your very special gift”

Sammy Rimington’s website is at: http://www.sammyrimington.com

You can listen to Sammy and explore some of his music at: http://www.dailymotion.com/video/x20zvy_burgundy-street-blues-sammy-rimingt_music

"Eyes on the Master" - portrait of Sammy in duet with rising star Amy Roberts.

Hand signed, fine art prints of the Art & Verse jazz portrait of Amy and Sammy can be purchased in two sizes:

A4 (297x210mm) £29.00
A3 (420x297mm) £39.00

A Certificate of Authenticity is issued with each print. If you would like to purchase a print or an original acrylic portrait or to commission a portrait, please email me at: [email protected]


Mike Pointon on Trombone

The Trombonist

Lips tightly pursed
Cheeks fit to burst
Eyes in a glaze
Instrument ablaze
The trombonist takes it away.

British Star of New Orleans Jazz, trombonist Mike Pointon lets rip with his Lakefront Loungers at the Ken Colyer Trust 2008 Autumn Jazz Parade in Hemsby, Norfolk. Full of enthusiasm, Mike is a mainstay on the UK Jazz scene, renowned for his sense of humour and individualistic, raffish style.

I chose my jazz painting of Mike Pointon as an early image for JazzandJazz.com not only because his happened to be my first jazz portrait but also because Mike is the UK parallel to New Orleans based Barry Martyn as a writer, jazz historian and broadcaster. His most auspicious work, in association with Ray Smith, is no doubt the biography of one of the greatest UK trad jazz stars, Ken Colyer. Only recently published, the book is entitled “Goin’ Home: The Uncompromising Life and Music of Ken Colyer”. Details at: http://www.btinternet.com/~jazzworld/goinhome.htm

Mike, “trombonist, musicologist and broadcaster extraordinaire”, along with pianist Ray Smith, worked and recorded with Ken Colyer over the years.

More in the style of a caricature, I think my jazz portrait captures Mike’s subtle flamboyance. When he first saw the portrait he commented to me along the lines, “That’s wrong! Trombonists shouldn’t puff out their cheeks like that! But I do! I shouldn’t, so you’ve got it right!” I know he’ll forgive me for mentioning this.

Jazz Portraits of Greg Stafford & Dr Michael White Conjure up Echoes of my Visit to New Orleans


Fine Art Print of Jazz Portrait of Greg Stafford in Dew Drop Hall

Modern day stalwart of traditional jazz, blues and old time gospel music, in this jazz portrait New Orleans star Greg Stafford conjures up echoes from the past in a hypnotic performance at Mandeville’s Dew Drop Hall.

Fine Art Print of Jazz Portrait of Dr Michael While in Dew Drop Hall

Jazz portrait displaying “the spirit of the best New Orleans clarinetists”. Dr Michael White follows in the footsteps of traditional jazz greats at Mandeville’s Dew Drop Hall.

Echoes of the Past

At the time of writing this, two years have passed since I met two of New Orleans greatest living jazz musicians at legendary Dew Drop Hall, across Lake Pontchartrain in Mandeville.

The occasion was a farewell party for the 2010 Ken Colyer Trust French Quarter Tour Group. Along with Barry Martyn’s band, Michael White and Greg Stafford entranced the audience of ardent fans with their hypnotic performances.

In the shadow of jazz greats like Kid Ory, Bunk Johnson, Buddy Petit and Louis Armstrong, these two deeply committed musicians conjured up echoes of the past and the very best of the spirit and legacy of New Orleans.

I count it a privilege to have painted their jazz portraits which were presented to them during the April 2011 Southern Sounds New Orleans Tour.

Jazz Art Details on Portrait of Greg Stafford

Jazz Art Details on Portrait of Dr Michael White

Jazz Art Details on Portrait of Barry Martyn

 

 

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